Isabel Allende's My Name Is Emilia del Valle adds a new angle to her ongoing family saga

Allende has created many addictive sagas about the extended del Valle family and their intersections with history and one another. The eponymous Emilia, Allende’s addition to this notable clan, is one adventurous, gutsy woman.

The illegitimate daughter of a Chilean aristocrat and the Irish novice nun he seduced, Emilia grows up in San Francisco with her loving stepfather’s support, intrepidly working around gender restrictions. After penning dime novels pseudonymously, she becomes a human-interest columnist for the Daily Examiner and wangles an assignment as international correspondent for the impending Chilean Civil War of 1891, under her own byline.

Emilia’s first meeting with her long-lost father in Santiago is quite moving, and her time with the canteen girls who accompany President Balmaceda’s army echoes with their unsung courage. Allende expertly navigates through the violent chaos of battle and how it affects Emilia, whose romantic relationships also showcase her character growth.

Fans of Allende’s now-classic Daughter of Fortune (1999) and Portrait in Sepia (2000) will particularly welcome this offering, which is replete with Allende’s customary poetic storytelling.

My Name Is Emilia del Valle will be published by Ballantine in May; the translator is Frances Riddle.  I contributed this review for Booklist's March issue.

I recommended this especially for readers of Allende's earlier novels because it's a new entry in the Del Valle saga, but mostly since significant characters from Daughter of Fortune and its sequel appear here too, which was a nice surprise.  No spoilers here, but I'll be curious to see what other readers think about how this novel ends.