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Researching a Conspiracy
Alan Bardos
In January 1915, Captain ‘Blinker’ Hall, Director of British Naval Intelligence, launched an operation to bribe members of the Ottoman Government into making peace. It was hoped that would open the Dardanelles Strait to the Allies. Allowing them to supply Russia and bypass the stalemate on the Western front. It was however superseded by the Allies attempt to open the Straits by force. The ensuing naval and land campaigns resulted in a second stalemate in the East.
My novel The Dardanelles Conspiracy charts these missed opportunities through the eyes of Johnny Swift, a disgraced soldier and diplomat. Swift finds himself in the middle of the attempts to open the Straits, by both negotiation and force. It was the attempt at a negotiated peace that attracted me to the story and caused the greatest amount of difficulty in researching the novel. This was because it’s a fairly obscure footnote to what is largely considered to be a disastrous ‘side show’ to the Western Front.
It was in the footnotes of Gallipoli by James Robert Rhodes that I got the first big break in my research. He made reference to two articles in the Royal United Service Institution Journal, from 1963. The first was called ‘A Ghost from Gallipoli’ by Captain G.R.G. Allen. The second was a response to this article written by Admiral Sir William James. My other break was that a friend of mine could actually get hold of the articles for me.
These articles gave a detailed overview of the negotiations and why they failed, but did not give a great deal of colour about the ins and outs of the discussions. I was able to find further details in books about naval intelligence in the First World War, most notably in two biographies of Hall written by Admiral James and David Ramsay.
However, they did not contain any further information about the negotiations themselves, which appear to have been conducted rather vicariously. ‘Blinker’ Hall sent two emissaries to bribe Talat Pasha, the Turkish Minister of the Interior. The delegation was unable to gain entry to Turkey and had to use the Grand Rabbi of Constantinople as an intermediary, corresponding via messengers.
I had hoped to read this correspondence and gain a greater insight into the negotiations by studying the old Admiralty files. I spent a day or so at the National Archive in Kew, searching the old Foreign Office FO37 card index, which was where the Admiralty files had been archived.
author Alan Bardos |
Unable to gather any firsthand material, I invented the scenes where the Grand Rabbi and Talat Pasha negotiate, dropping my lead character into the mix. While doing this I located another firsthand source in the memoir of Henry Morgenthau. Morgenthau was the American Ambassador in Constantinople in 1915 and had negotiated with Talat Pasha. His descriptions of this and of Talat’s home really helped enrich these scenes. Geoff Berridge’s biography, Gerald Fitzmaurice (1865-1939), Chief Dragoman of the British Embassy in Turkey, also had details of the negotiation strategies employed by British diplomats when dealing with Ottoman officials, which helped build tension in these scenes.
Ultimately the negotiations failed, because of promises made to Russia about the future of Constantinople. This was where my trip to the National Archive came into its own. I was able to find some interesting cabinet papers around the future of Constantinople and War Council minutes, about the decision to open the Dardanelles Strait by force. This is when Johnny Swift’s troubles really begin.
About The Dardanelles Conspiracy:
January 1915. The Western Front has descended into trench warfare. In the East an opportunity arises for the Allies to bypass the stalemate. Desperate to preserve a truce in his sector of the front and with it the lives of his men, Johnny Swift a reckless former diplomat is caught warning the Germans of a trench raid. Sir George Smyth, Swift’s former superior has negotiated a stay of execution. In return, Swift is dispatched to Constantinople on a perilous mission to bribe the Turkish government and open the backdoor into Germany. This does not stop the disgraced diplomat enjoying the delights of the orient, while trying to negotiate the labyrinthine power struggles within the Turkish government.
Swift uses all his guile to complete his mission, but finds his efforts blocked by his old friend and nemesis Lazlo Breitner, now an official at the Austro-Hungarian Embassy. The agent moves from the drinking dens at the crossroads of the world to the opening battles of the Gallipoli campaign - and with it a chance to redeem his reputation. See more at: Amazon.com | Amazon UK
About the Author:
Alan Bardos studied an MA in TV Script Writing at De Montfort University. He has experimented in different genres and media, and has found his voice in writing historical fiction.
January 1915. The Western Front has descended into trench warfare. In the East an opportunity arises for the Allies to bypass the stalemate. Desperate to preserve a truce in his sector of the front and with it the lives of his men, Johnny Swift a reckless former diplomat is caught warning the Germans of a trench raid. Sir George Smyth, Swift’s former superior has negotiated a stay of execution. In return, Swift is dispatched to Constantinople on a perilous mission to bribe the Turkish government and open the backdoor into Germany. This does not stop the disgraced diplomat enjoying the delights of the orient, while trying to negotiate the labyrinthine power struggles within the Turkish government.
Swift uses all his guile to complete his mission, but finds his efforts blocked by his old friend and nemesis Lazlo Breitner, now an official at the Austro-Hungarian Embassy. The agent moves from the drinking dens at the crossroads of the world to the opening battles of the Gallipoli campaign - and with it a chance to redeem his reputation. See more at: Amazon.com | Amazon UK
About the Author:
Alan Bardos studied an MA in TV Script Writing at De Montfort University. He has experimented in different genres and media, and has found his voice in writing historical fiction.
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