They take up residence in Willow Hall, a large mansion in the distant town of New Oldbury, where her father, investor in a local mill, hopes to make a fresh start. Lydia is close to her eight-year-old sister Emeline, and while they enjoy wandering the countryside, spiteful Catherine chafes at her forced isolation. As Lydia develops an interest in John Barrett, her father’s handsome business partner, Catherine’s jealousy asserts itself while she simultaneously flirts with John’s friend. Meanwhile, supernatural happenings at Willow Hall, which only Lydia can see, hint at its tragic past.
The story’s premise – a young woman coming to terms with abilities passed down from an accused Salem witch – is a clever one. Because the scenes focusing on this aspect are particularly strong, they should have been given greater prominence over the romance and toxic family drama. Fox is particularly skilled at conveying the creepy atmosphere when the dead emerge into the world of the living.
The secondary characters, including Lydia’s mother and father, feel rather thin, and the early industrial New England setting could have been more sharply evoked through the characters’ actions and dialogue. The Montrose daughters’ attention to social proprieties comes and goes; maybe their odd conduct could be chalked up to lax parenting. Fans of historical horror may want to read the novel regardless, especially if they enjoyed Louisa Morgan’s A Secret History of Witches.
I reviewed this novel for November's Historical Novels Review. The Witch of Willow Hall was published by Graydon House in October. Judging by the Goodreads reviews, I'm in the minority with my reaction.
I haven’t read this, but I get suspicious when Salem comes into witch themed stories, I’m afraid.
ReplyDeleteI definitely understand!
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