Book review, with notes: Kate Alcott's The Hollywood Daughter

Alcott (A Touch of Stardust, 2015) returns to mid-twentieth-century Los Angeles with her novel about a young woman’s emotional and cultural awakening.

Jessica “Jesse” Malloy, who narrates in a vibrant voice, feels awkward growing up as the daughter of a fun-loving Selznick Studio publicist and a reserved Catholic woman who resists Hollywood’s sinful influences. Jesse has always hero-worshipped Ingrid Bergman, and when the beautiful Swedish actress stars in The Bells of St. Mary’s, which is filmed at Jesse’s convent school, Catholics’ admiration for her seems boundless. However, when Bergman’s affair with Italian director Roberto Rossellini is discovered, the situation horrifies Hollywood’s morality police and shatters Jesse’s illusions.

Alcott uses a fast-paced, efficient writing style and creates a believable portrait of a teenager navigating high school, potential romances, and her complicated world during the McCarthy years. The portions set in 1959, as Jesse returns home after a long absence, provide emotional closure. Jesse’s parents, teachers, and Bergman herself are all sketched with subtlety. Another honest look at the real stories behind Hollywood’s glamorous veneer.

The Hollywood Daughter is published today in hardcover and ebook by Doubleday. This review was submitted for publication in Booklist's January 1st issue.

Some other notes:

This novel will work well as a YA crossover title. In fact, I can't recall reading another adult-level historical novel that placed so much emphasis on its heroine's school experiences, which include Jesse's relationships with her teachers (who fortunately aren't stereotyped) and her participation on a debate team. I think it could have been categorized as YA if not for the sections at the beginning and end. Sarah Hunter at Booklist  recommended the book for YA readers and appended a note to that effect at the end of the review. If anyone else has read it, I'll be interested to hear your thoughts.

For a perspective on how the novel's themes relate to contemporary times, see Kate Manning's review in the Washington Post, which was published yesterday.