Monday, February 16, 2015

Review of Fiercombe Manor by Kate Riordan, a dual-period gothic saga

An isolated house allegedly filled with ghostly presences. Two women mired in restrictive social circumstances and linked over a generation. Secrets from the past reawakened years later. Atmospheric and resonant with emotion, Kate Riordan’s saga has many elements of the traditional gothic novel but is in other ways a refreshing departure.

Fiercombe Manor in Gloucestershire, a Tudor-era dwelling crafted of golden stone, sits at the base of a valley “so steep that it’s like an amphitheatre.” As Alice Eveleigh wanders the grounds and gets to know her temporary home during the languid summer of 1933, her observations form an inviting travelogue of this hidden corner of the Cotswolds.

Left pregnant after a brief affair with a married man, Alice is forced by her parents to leave London to stay with her mother’s old friend, Edith Jelphs, the housekeeper at Fiercombe, until the baby is born – after which it will be taken away and brought to an orphanage. Away from her mother’s disapproval, Alice thrives in her new environment, though her pretense of being a widow proves to be tiring. Mrs. Jelphs is kindly but cautiously watchful, more so as Alice begins quietly uncovering a local mystery.

A previous mistress of the estate, Lady Elizabeth Stanton was a dark-haired beauty who lived in nearby Stanton House in the late 19th century and who was pressured to produce a son.  Why was Stanton House dismantled, and what became of Elizabeth and her daughter Isabel?

Hints of tragedy, inherited madness, and restrictions placed upon women wind through this dual-period novel, but while it offers occasional frissons of suspense, it lacks the terrifying menace typically found in the genre. The pacing is leisurely, and despite a past that holds overwhelming sadness, Fiercombe is a lovely setting in which to linger. If you google “Owlpen Manor,” the place that inspired it, you can visualize its charm.

Fiercombe Manor will be published by Harper tomorrow in hardcover ($26.99, 416pp).  The UK title is The Girl in the Photograph.  Thanks to the publisher for enabling access via Edelweiss.  This review first appeared in February's Historical Novels Review.

This is Kate Riordan's second novel; the first, Birdcage Walk, is a murder mystery based on a real-life Edwardian crime.  It's available in the US on Kindle for a mere $2.99, so I snapped it up.

And here's a pic of Owlpen Manor, to save you the extra step of googling.  I would love to visit this beautiful place in person. Its website is here, and the owners even offer holiday cottages (very tempting!).

Owlpen Manor at front right, Holy Cross Church in background. 
© Copyright Derek Harper, licensed for reuse under this Creative Commons Licence

8 comments:

  1. I've just started to read this novel. My copy is entitled The Girl in the Photograph. The two covers are very different. Thanks for the link to the Owlpen Manor site. It has a very interesting history. It would be a lovely place to visit.

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    1. You're right, the covers are different. The one I saw for Girl in the Photograph makes it look more like a modern thriller to me. In the US, the Downton Abbey connection (and also to Kate Morton's novels) is often played up in book titles and covers.

      I've never been to that part of England, but it looks so scenic and peaceful.

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  2. And here is yet another book to add to my TBR pile LOL This one sounds right up my alley! Thanks for the review, Sarah.

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    1. I actually chose this one to read myself, and it was a good decision. I had been wondering if people would be tired of my reviewing these sagas since I read so many of them - I'm glad you think the book sounds interesting!

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  3. This sounds like my kind of book as well and is now on my to-read list. Thanks for reviewing it (and for adding the lovely photo---now I'm fantasizing about my next holiday!). I definitely won't get tired of your reviews of these types of novels!

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    1. That's great to hear, because I'm reading another one of them right now, actually! (well, gothic novel featuring a big house - but otherwise the plot is very different.)

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  4. Thank heaven we live in a time now when an unmarried mother doesn't have to feel her life is ruined. Who knows how many women suffered.

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    1. I completely agree with you. I'm very glad times have changed for us.

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