Dissolution, faith, and love: Roses in the Tempest by Jeri Westerson

Isabella Launder is a yeoman farmer's daughter living in a Staffordshire village in 1515. A tall, plain woman who strikes up a close friendship with Thomas Giffard, the son of her father's overlord, Isabella makes the surprising decision to join a nunnery rather than be forced to marry someone else.  As a novice, holy sister, and finally prioress of Blackladies, she finds joy in caring for the convent's roses as well as a new kind of family life, though she never forgets Thomas, nor he her.

True to their era and their class, both are refreshingly honest about why a marriage between them would never have worked.  Still, their love for one another – strong, unreciprocated at first, always chaste – endures over the years, through Thomas' troubled marriage to an heiress; Isabella's adjustment to convent life, including the envy and abrasiveness of a fellow nun; and Henry VIII's decision to proclaim himself head of the church.  Repercussions from the latter bring even an inconspicuous, poor convent like Blackladies to the notice of the king and his greedy advisers.

Told in the alternating voices of Thomas and Isabella, Roses in the Tempest is decidedly different fare from Jeri Westerson's previous release, Cup of Blood, a fast-moving and suspenseful medieval mystery with a sexy outcast hero and plenty of witty banter.  However, while less action-oriented, it's just as engaging, and the contrast in styles demonstrates her versatility as a writer. 

In keeping with his family's position, Thomas is often at court, while Isabella remains enclosed within her small priory. The changing scenes provide a varied view of Tudor life.  Both protagonists show wonderful growth over time, and unlike many other novels set in the period, they come to share a deep-rooted and abiding faith, one that refuses to be dislodged on a king's whims.  This isn't inspirational fiction, but the prose has a spiritual richness that meshes perfectly with their outlook on the world.  Here is Isabella:

"Raising my head to inhale the remnants of summer, the bells sounded again.  Listening, I reflected on their timbre, how they called each of us to that quiet house of God's, and even how they were part of the landscape, like a tree or a fence.  How natural they were to the environment, as natural as I in my garden."

Westerson states up front that the relationship she posits between Isabella and Thomas is fictional, although the larger historical events are true, and all of the characters once existed. According to the introduction, the novel was first written 14 years ago, before her mystery-writing career began.  If she has others like it sitting in a dusty old drawer, let's hope they'll also be pulled out and released.

Roses in the Tempest was published in April by Old London Press ($13.99 pb / $5.99 ebook, 280pp). This was a personal purchase.

Art, war, and secrets: Currawong Manor by Josephine Pennicott

With her previous novel, Poet’s Cottage, Josephine Pennicott proved that edgy bohemian glamour and gothic creepiness made a great combination. Here she continues these themes but ups her game further with her riveting dual-period novel, set in Australia’s Blue Mountains in 2000 and 1945, about dreadful family secrets, the interpretations of creative works, and the lasting impact of war on artists and their art.

The modern protagonist, photographer Elizabeth Thorrington, jumps at the chance to return to Currawong Manor, her grandparents’ remote estate, following a career scandal. In the course of preparing a coffee-table book about her grandfather, eccentric painter Rupert Partridge, and his three beautiful life-models called the “Flowers,” she hopes to learn about her family history. A wild, haunted place, with its fairytale garden, high towers, and mythological sculptures wreathed in mist, Currawong was once the scene for a trio of tragedies. “The locals have always called it the Ruins,” Elizabeth tells a friend, “not just because it’s fallen into ruins, but because it ruins lives.” Then there are the mysterious “dollmaker” and her daughter, who were allowed to remain on the property – why?

The writing is sharp throughout, with striking images of the house both in the modern segments and in its prime. The most memorable creation is Ginger Lawson, whose attitude is as fiery as her hair. A former “Flower” with lots of sex appeal even in her 70s, Ginger returns to Currawong to be depicted anew in Elizabeth’s book. Her recollections about Rupert drive the plot along.

There’s a lot of story packed into the nearly 400 pages, all perfectly paced, with secrets teased out bit by bit until the shocking denouement – which is worth staying up late to discover. Fans of Kate Morton should devour it, but Pennicott has a distinctive style all her own.

This review first appeared in the Historical Novels Review's May issue and is based on my own copy of the book.  Currawong Manor was published by Macmillan Australia in 2014 in trade paperback (Au$29.99) and as an ebook ($11.99 - update 5/14, as the price just dropped).  This review is my 2nd entry for the 2015 Australian Women Writers Challenge.

And for readers unfamiliar with what a currawong is, they're birds native to Australasia, and their presence plays a role in the story.

Charting the political waters of the Stuart era: Margaret Porter's A Pledge of Better Times

In Margaret Porter’s sparkling A Pledge for Better Times, the theme is constant change – political, religious, generational, and all of these intertwined.

Its setting is comparatively rare for historical fiction: the time between the end of Charles II’s reign and George I’s ascension, three decades and four monarchs later. The events within its pages will make readers wonder why that is, for they're historically significant: Monmouth’s rebellion, the Siege of Belgrade, and the Glorious Revolution that saw the Catholic James II ousted and his Protestant daughter and son-in-law, Mary and William, invited to rule.

Using the strength and intelligence they were born with, the novel’s characters weather the shifting political climate over time. Lady Diana de Vere and the man she weds, Charles Beauclerk, Duke of St. Albans, are both prominent at court. Born of parents who were hardly faithful to one another, Diana guards her virtue, and her loyalty endears her to the future Queen Mary. Diana’s “frankness and acuity of mind” is of great benefit throughout her life.

Meanwhile, Charles paves his own path, never able to forget that of all the illegitimate sons of Charles II, his mother, former orange seller and actress Nell Gwyn, was of low birth: “Royal blood and military heroics could not eradicate the indelible stain of bastardy or the stench of the stage.”

Diana and Charles come to love one another deeply, but their differing views on married life (he becomes an army officer, detesting the courtier’s life she was born to) creates occasional disharmony, as does a hidden deception about their engagement. Two additional viewpoints add further texture: that of Diana’s father, the Earl of Oxford, who makes plain his dislike of James II’s tyranny and religious intolerance; and Mary herself, a gentle, intelligent woman and devoted wife crushed by her husband’s infidelity. Hers is a clearly admiring portrait.

Fans of royal fiction of the juicier sort may find the approach sedate at first, but it’s actually refreshing in its lack of gaudiness. The historical background is well-defined and the characters genuine, and the author’s love for the finer details of upper-class life in the Stuart era, such as painting, architecture, and gardening, shines through. At these and other moments, reading the novel itself gives the feel of stepping into an English garden, one filled with light, plentiful color, and cultured elegance.

A Pledge of Better Times was published by Gallica Press in April in ebook and paperback ($5.99/$14.95, 400pp).  Thanks to the author for providing me with a copy for the virtual book tour.  See Historical Fiction Virtual Book Tours for additional stops.

Historical fiction picks at BEA 2015

As in previous years, I’m compiling a guide to the historical novels being promoted at the upcoming BookExpo America (BEA) show, to be held at the Javits Center in New York on May 27-29. The following list is based on BEA’s own list of traditional and in-booth autographing, Publishers Weekly’s “galleys to grab” list, Library Journal's 2015 galley guide, and announcements from publishers. I've added blurbs, booth numbers, etc., to make the list more user-friendly.  Good news: the HF picks are plentiful this year!

For authors with historical novels at BEA who aren't yet included, or to provide corrections, please leave a note in the comments or drop me an email. As always, I recommend cross-checking these dates/times with the BEA site or your program book beforehand to avoid possible disappointment.

This page will be updated as more information is made available.  New listings are indicated with ~new~.  I’ve tried not to cross-list titles, so if an author is doing a galley signing, it will be listed in the 2nd section below, under Author Signings.

Last updated: Sat 5/23, 1pm.

~Galleys to Grab~

Europa Editions (booth 3124):

Chantel Acevedo, The Distant Marvels - political and family saga set in 20th-c Cuba. Author signing TBA.

Graywolf Press (booth 3064):

Paul Kingsnorth, The Wake - resistance against the Norman invaders in 11th-c England; written in a re-created version of Old English.

~new~ Grove Atlantic (booth 939A):

George MacDonald Fraser, Captain in Calico - standalone novel (his first, per the LJ guide) from the late author of the Flashman series, starring 18th-c Caribbean pirate Captain Jack Rackham.

Hachette (booth 2918-9):

Oscar Hijuelos, Twain and Stanley Enter Paradise - lengthy posthumous novel about the friendship between Mark Twain and explorer Henry Morton Stanley.

HarperCollins (booth 2038):

Parnaz Foroutan, The Girl from the Garden - family saga of Persian Jews in early 20th-c Iran.

Adriana Trigiani, All the Stars in the Heavens - Loretta Young in ‘30s Hollywood. Excerpt galleys, also signing on Fri 5/29 at 2pm.

Houghton Mifflin Harcourt (booth 2541):

~new~ Alexander Chee, The Queen of the Night - a woman "from courtesan to diva" in Paris during the Second Empire

Clare Clark, We That Are Left - two sisters during WWI.

Macmillan (booth 3056):

H. S. Cross, Wilberforce (galley giveaway 5/29, 9am) - adolescent longing in 1926 England.

Elsa Hart, Jade Dragon Mountain (galley giveaway 5/27, 4:30pm) - an exiled Chinese librarian investigates a murder in the 18th century.

Benjamin Johncock, The Last Pilot (galley giveaway 5/28, 10:30am) - marriage and family life at the time of the Space Race.

Penguin Random House (booth 3119):

Alexandra Curry, The Courtesan - Qing dynasty courtesan Sai Jinhua in the late 19th century.

Ottessa Moshfegh, Eileen - crime in early ‘60s Boston area.

Natasha Solomons, The Song of Hartgrove Hall - love, grief, and treachery on an English estate, 1946 and 50 years later.

Simon & Schuster (booth 2620-1):

~new~ Susan Barker, Incarnations - literary speculative fiction; a Beijing taxi driver revisits his past lives, set at various periods in Chinese history.

Lynn Cullen, Twain’s End - the personal life of the famous author.

~new~ Soho Press (booth 3240):
David Downing, One Man's Rag - WWI spy novel featuring Jack McColl

Ruth Galm, Into the Valley - poetic novel about a woman caught between generations in California's Central Valley in the '60s

Sourcebooks (booth 3039):

Kelli Estes, The Girl Who Wrote in Silk (galley giveaway 5/28, 11am) - a modern woman, a Chinese girl from 100 years earlier, and a silk scarf that links them.

Susan Higginbotham, Hanging Mary (galley giveaway 5/28, 2pm) - Mary Surratt and a scheme to save the dying Confederacy.


~Author Signings~

Wednesday, May 27th (exhibit floor opens at 1pm)

~new~1:15-1:45pm, booth 2657 (Mystery Writers of America)
Lori Roy (author of Let Me Die in His Footsteps; title to be signed not given)

2:30-3:30pm, booth 1039 (Algonquin):
B. A. Shapiro, The Muralist - dual-period novel surrounding an artist’s disappearance on the eve of WWII.

2:30-3:30pm, booth 2541 (HMH):
Amy Stewart, Girl Waits with Gun - one of America’s first female deputy sheriffs, set in 1914.

Thursday, May 28th

~new~ 9-10am, booth 3119 (Random House)
Melanie Benjamin, The Swans of Fifth Avenue - friendship between Truman Capote and Babe Paley in '50s NYC.
 
~new~ 10-10:30am, booth 2657 (Mystery Writers of America)
Lyndsay Faye (author of The Fatal Flame and other thrillers of 1840s NYC; specific titles to be signed not given)

10:30am, booth 3039 (Sourcebooks):
Charles Belfoure, House of Thieves - thriller set in Gilded Age NYC.

10:30-11am, booth 1921 (Norton):
Matthew Guinn, The Scribe - serial murderer in 1881 Atlanta.

10:45am, booth 2657 (Mystery Writers of America):
James R. Benn, The White Ghost - historical mystery, JFK and Billy Boyle in the South Pacific.

~new~ 11-11:30am, booth 3126 (Other Press)
Bruce Bauman, Broken Sleep - "Pynchonesque saga" about rock music, art, politics, and love between the '40s and the year 2020

11am-noon, table 12:
Emily Holleman, Cleopatra’s Shadows - Arsinoe, Cleopatra’s little-known younger sister.

~new~ 11:30-noon, booth 2657 (Mystery Writers of America)
Nancy Bilyeau, The Tapestry - historical thriller about Joanna Stafford, a Dominican novice in the turbulent court of Henry VIII; 3rd in series after The Crown and The Chalice.

Noon, booth 3240 (Soho Press):
James R. Benn, The White Ghost - see above at 10:45am.

1:30-2:30pm, booth 3319 (Penguin Random House):
Geraldine Brooks, The Secret Chord - the story of King David.

~new~ 2-3pm, table 6:
Julianna Baggott, Harriet Wolf's Seventh Book of Wonders -narrative of three women and a lost masterpiece that spans 20th-century history.

2:15pm, booth 649A (Akashic):
~new~ Barbara J. Taylor, Sing in the Morning, Cry at Night - debut novel about the aftermath of a family tragedy, set in an early 20th-c Pennsylvania mining community; wonderful book!

3-4pm, booth 3019 (Hachette):
Jami Attenberg, Saint Mazie - Mazie Phillips and her life in Jazz Age NYC.

~new~ 3-4pm, table 6:
Virginia Baily, Early One Morning - two women save a child during WWII, an action which reverberates even years later.

3:30-4:30pm, booth 3119 (Penguin Random House):
Rebecca Makkai, The Hundred-Year House - quirky “generational saga in reverse.”

3:30-4:30pm, booth 2908 (Harlequin):
Pam Jenoff, The Last Summer at Chelsea Beach - a young Italian woman’s journey and choices during the WWII years.

Friday, May 29th

10-11am, booth 2620-21 (Simon & Schuster):
Alice Hoffman, The Marriage of Opposites - impressionist painter Camille Pissarro’s Jewish mother, Rachel, set on St. Thomas in the 1800s.  Note conflicting info:  the LJ guide indicates Hoffman will be signing The Dovekeepers and Museum of Extraordinary Things instead.

~new~ 10-10:30am, booth 2657 (Mystery Writers of America):
Annamaria Alfieri (specific title to be signed not given)
M. J. Rose, The Witch of Painted Sorrows - art and gothic suspense in 1890s Belle Époque Paris.

10:45-11:45am, booth 3156 (Bloomsbury):
William Boyd, Sweet Caress - life of a modern woman in England, from WWI through her time as a war photographer in WWII France.

~new~ 11:30am-noon, booth 2657 (Mystery Writers of America)
Laura Joh Rowland, author of mysteries of historical Japan (specific title not given)

11:30am-12:30pm, booth 3119 (Penguin Random House):
Annie Barrows, The Truth According to Us - family secrets are discovered while a young debutante works for the Federal Writers Project in '30s West Virginia.

12-12:30pm, table 15:
Kim van Alkemade, Orphan #8 - a girl is subjected to medical experiments in 1919 NYC; her choice between revenge and mercy years later.

2pm-3pm, booth 3119 (Penguin Random House):
Paula McLain, Circling the Sun - the life of aviator and memoirist Beryl Markham.

~new~ 2pm, booth 640A (Feminist Press at CUNY):
Sarah Schulman, The Cosmopolitans - "remake of Balzac's Cousin Bette" (per an author interview) set in 1958 Greenwich Village.

~new~  3-3:30, table 14:
Daniel Melnick, The Ash Tree - the marriage between an American woman and an Armenian genocide survivor.

3:30-4:30pm, booth 3119 (Penguin Random House):
Sara Donati, The Gilded Hour - epic of two women doctors in Gilded Age NYC.

When tolerance fails, can hearts prevail? An essay by Pamela Schoenewaldt

Novelist Pamela Schoenewaldt is here today with a post about her latest novel's historical backdrop, and the subject is very relevant for today as well. 

 ~

When tolerance fails, can hearts prevail? 

By Pamela Schoenewaldt

My research for Under the Same Blue Sky opened for me a fascinating look at my own German-American heritage, our national immigration debate, and a sobering reminder of how thin the veil of tolerance can be. A few facts. German-Americans are, even today, our largest self-reported minority. Between 1820 and World War I, six million Germans came to America, entering every profession and social strata, profoundly shaping our culture. By 1900, cities like Cleveland, Milwaukee, Cincinnati, and Hoboken were more than 40% German-American.

Many came to escape the draft (terms up to 25 years were common), poverty, and crushing debt. For my great-grandmother, Germany was a door that closed behind her. She learned English quickly and never looked back. Another ancestor, a cabinetmaker, found his place in a cozy German enclave of Manhattan called Harlem.

Other immigrants, like Johannes Renner of my novel, lived with the ache of loss, a deep well of memories and constant communication with friends and family back home. The stunning scale of horrors in World War I, both civilian and military, plunged him into what now would be diagnosed as “vicarious trauma,” a crippling manifestation of PTSD.

As America inched towards war, the predicament of German-Americans grew more complex and anguished. In fact, public suspicion and media railings against all “hyphenates” intensified. German-Americans, Hungarian, Italian, Polish, and Russian-Americans were suspect. Scrambling, German-Americans invented a pacifying phrase: "Germany our Mother, Columbia [America] Our Bride." Pretty words, said “real” Americans. But what happens when the mother and wife take up arms?

That day came, of course, on April 6, 1917. “Once lead this people into war,” President Woodrow Wilson warned, “and they'll forget there ever was such a thing as tolerance.” He was right. Overnight, as soldiers were rapidly enlisted, another army was being created of graphic artists, cartoonists, musicians, speechwriters, journalists, and teachers. Their job was to whip up hatred against the Kaiser. Naturally there was spill-over. Suddenly, long-time neighbors, friends, and colleagues were suspect. English itself must be purged of “Hun” words like hamburger, sauerkraut, frankfurters, dachshund, German Shepherd. Speaking German in public was forbidden. Books were burned. Freedom of speech, press, and assembly were choked off. German-Americans were forced to buy war bonds in great quantities to “prove” loyalty. Jobs were lost, homes destroyed, thousands imprisoned on suspect charges. Employees in some factories were forced to crawl across the floor and kiss the American flag. There were lynchings.

So quickly all this happened. That was the stunner for me. Communities shredded. Tolerance forgotten. This has happened over and over in history, and often, of course, on a hugely larger scale. Yet within the madness, there were those who struggled for understanding, for separating politics from people, weaving hearts together despite differences and the deep wounds of war. That’s what Under the Same Blue Sky is about.

~

Pamela Schoenewaldt's Under the Same Blue Sky is published today in trade paperback by William Morrow (318pp, $14.99/Can$18.50).

credit: Kelly Norrell

Pamela’s first novel, When We Were Strangers (HarperCollins, 2011), was a USA Today Bestseller, a major book club pick, a Barnes & Noble Great Discovery, short-listed for the Langum Prize in American Historical Fiction, and has been translated into Polish, Dutch, and Russian. Swimming in the Moon (HarperCollins, 2013) was cited by the Pittsburgh Examiner as a “a must read for anyone who enjoys beautiful, richly drawn characters, and a historical setting so realistic that one would believe they had been transported to another time. A glorious, unforgettable novel, A+.” It was a runner-up for the Langum Prize and connects powerfully with those who struggle with the impacts of mental illness in their families.

Pamela lived for ten years in a small town outside Naples, Italy. Her short stories have appeared in literary magazines in England, France, Italy and the United States. Her play, “Espresso con mia madre” (Espresso with my mother) was performed at Teatro Cilea in Naples. She taught writing for the University of Maryland, European Division and the University of Tennessee. Her interactive writing workshops inspire writers of all genre and stages. She now lives in Knoxville, Tennessee with her husband, Maurizio Conti, a medical physicist, and their dog Jesse, a philosopher.

A look at The Promise by Ann Weisgarber, set on Galveston Island in 1900

Ann Weisgarber excels at depicting the inner lives of people living through difficult historical times.  She writes with a graceful simplicity that lays bare the natural beauty of the landscape and her characters' turbulent emotions.  I found The Promise to be an even more engrossing read than her first novel, The Personal History of Rachel DuPree.

In Dayton, Ohio, in 1900, 29-year-old Catherine Wainwright re-establishes a correspondence with an old friend, Oscar Williams, after her affair with her cousin's husband comes to light and brings shame upon her and her family.  Oscar had used to deliver coal as a boy, but now he's a prosperous dairy farmer on Galveston Island down in Texas, a recent widower with a 5-year-old son, Andre.

Catherine, a talented pianist from a wealthy family, had never considered him as a suitor before, but now, she relates, "he was the only person whose letter was not cold or indifferent." When he offers marriage, which she both hoped for and was resigned to, she boards a southbound train in desperation, leaving her creditors behind.

The Promise smoothly alternates between the perspectives of Catherine, forced to adjust to more rustic circumstances and to marriage and a stepchild, and Nan Ogden, the younger woman who works as Oscar's housekeeper, having promised his late wife, her friend Bernadette, to take care of Andre.  Nan secretly loves Oscar and is devastated he chose someone so different from her as his bride.

Through the women's narratives, the novel movingly depicts the loneliness of an outsider.  Both are vulnerable in different ways.  Not knowing how to cook, and unused to her new home's isolation and steamy climate, Catherine must depend on Nan to take care of her household.  And Nan, despite her strong-willed nature, must stand by and say nothing as Catherine grows close to both Oscar and Andre.  Both their voices feel authentic, Catherine's formality and perfect diction contrasting with Nan's easy knowledge of island life and her south Texas drawl.

A third woman plays a major role in the story, too.  Bernadette only appears in flashbacks, but her presence comes alive on the page nonetheless.  Ann Weisgarber creates such a compelling back story for her, a Louisiana Cajun who overcame a shameful background and enjoyed a loving marriage only to die young, that it makes you realize both how unfair and how precious life is.

The Williams home is built on a ridge, and on 8-foot stilts besides, but it, too, like everything else on Galveston Island, becomes vulnerable as a mammoth storm appears off the coast.  The Galveston Hurricane of 1900 was America's most devastating natural disaster, with terrible loss of life and property.  While I turned the pages rapidly, anxious to see how things turned out, I had to put the book down several times, fearful that characters I'd come to care about might be hurt.

Rich in description and emotion, The Promise is highly recommended for admirers of character-centered historical novels.  It was a deserving finalist for the 2014 Walter Scott Prize for Historical Fiction.

The Promise is published in trade paperback by Skyhorse on May 5th, with the new cover art above (336pp, $14.99).  I read it from a personal copy, having purchased the UK hardcover last year.

The WWI home front as seen in Elizabeth Jeffrey's Meadowlands

You might call this one "Downton Abbey lite."

The premise of Meadowlands will be familiar to followers of the WWI saga trend.  The aristocratic Bartrams see their world upended as their country plunges into war.  Life as they know it won't ever be the same again.  Etc.

Unlike their distant parents, Sir George Barsham MP and his wife, Lady Adelaide, the four Bartram children face up to reality and pitch in to do their part.  James goes into the army; Ned's a conscientious objector but eventually volunteers as a non-combatant so as not to be labeled a coward; Millie drives ambulances in France with the Voluntary Aid Detachment; and Georgina "Gina," the most prominent character of the bunch, establishes a soup kitchen for local women.  On the "downstairs" side, sort of, is Polly Catchpole, a young neighbor who works as a maid at Meadowlands.  She grew up alongside James and has always loved him but knows any future for them is futile.

The novel is most admirable in showing the plight of the women and children left impoverished and forgotten by the government while their families' breadwinners are fighting overseas.  Gina serves as their guide through the endless red tape and uses her contacts to help them fight for the separation allowances owed them, but that doesn't always help.

The broad-brush characters slot easily into their roles, and for readers who might miss the novel's themes, the dialogue gives regular reminders: "Yes, I fear all the old values are disappearing," for instance.  Lady Adelaide, in particular, is a piece of work in her absolute cluelessness: "Must the conversation always be either the war or politics when you're at home?" she whines to her husband, who avoids her by staying in London.  It almost comes as a relief to see even her children poking fun at her ridiculous behavior by the end.

It's a non-taxing portrayal of the WWI home front, but not as distinctive as it could be; for example, don't expect much local color.  Meadowlands is a stand-in for a typical English estate, and it's unclear which county or even part of England it's in.

Meadowlands was published by Severn House this month (hb, $29.95, 224pp).  Thanks to the publisher for the NetGalley download.

Courage, controversy, and love in the Enlightenment: The Philosopher's Kiss

In our day, authors and editors of reference books aren't considered to be especially dangerous.  Dedicated and scholarly, perhaps, but not overly controversial.  In addition, the print editions of multi-volume reference sets also becoming a thing of the past.  The Encyclopedia Britannica, for instance, ceased hard copy publication in 2012 in favor of the more versatile and popular e-version.

In France in the mid-18th century, however, circumstances were far different.  Denis Diderot and Jean le Rond d'Alembert, the principal editors of the noted Encyclopédie, risked life and liberty to produce the first work of its kind in the French language. 

In their quest to provide comprehensive treatment of the arts, sciences, and trades via commissioned articles from notable contributors, their masterwork emphasized human thought and accomplishments over theology.  The Church took offense, and government censors kept close watch on the project.  The 28 volumes of the Encyclopédie appeared over the course of 21 years and were supported by the funding of an increasing number of eager subscribers.  In the end, it stands as a tremendous accomplishment, and a brave testament to Enlightenment-era ideals.

The Philosopher's Kiss delves into the lives of the people involved in its conception and publication, from Diderot and his publisher, André le Breton, to the philosopher Rousseau, the statesman Malesherbes, and royal mistress Madame de Pompadour, who supported it and had her own ways of defending its purpose to the king, Louis XV.

Its main character, however, is Sophie Volland, a shadowy figure in French intellectual history who was Diderot's lover and longtime confidante.  Over a hundred of his letters to her survive, but not the reverse.  In the novel, she's a literate young woman, unusual for her day, who is torn between the religious obedience forced on her as a child, her pursuit of knowledge, and her need for love.  She becomes involved with the Encyclopédie's development in a number of ways. 

I find the English translation of the title (originally Die Philosophin in German, or "The Lady Philosopher") rather unfortunate because it emphasizes the romance aspects, which I found overblown, over the real meat and strength of the novel: the intellectual discourses among the free-thinkers of Paris, the cultural milieu, the religious controversies that resulted when long-held tenets of faith were challenged.  C'est dommage.

Because little is known about Mlle Volland, Prange takes a number of liberties with her character for the story's sake, some of which can be considered inspired guesswork, others of which seem unlikely.  An author's note at the end ("Fiction and Truth") sets forth details on the many actual historical events dramatized in the book.  I've been reading up on the historical Sophie (whose birth name was apparently Louise-Henriette) ever since. I recommend the novel for its depiction of a transformative event, and also recommend that potential readers investigate the history on their own.

The Philosopher's Kiss was published in 2011 by Atria, and translated into English by Steven T. Murray.  This was a personal copy I'd left sitting on my shelves for way too long.  Prange is a bestselling author in Germany who wrote many other historicals, but this, unfortunately, is his only work in English translation.

A recipe for deception: Martine Bailey's An Appetite for Violets

Biddy Leigh, the lead character of Martine Bailey's debut novel, works as the under-cook at Mawton Hall in Cheshire in the 1770s. Adorning each chapter opening are the recipes she consults and writes in a household book she carries on her adventures.

Written by an award-winning amateur cook, An Appetite for Violets fits as “foodie fiction,” a mini-genre that compels reviewers to pull culinary metaphors out of their cupboards and serve them up for readers’ delectation. (See?  It's almost too easy.) That said, while some books of this type can feel gimmicky, this is a full-fledged historical novel that presents late 18th-century England and Europe from a servant's viewpoint.

The roles of food as nourishment, entertainment, a reflection of social class, and a way to connect to women of the past are all gently spun into the story. It’s all topped off with a sweet romance and more than a touch of Gothic creepiness. The recipes themselves ("receipts," in period parlance) are the icing on the cake.

The plot takes the form of a Georgian-era road trip, and Biddy’s voice – good-natured, fresh, and full of colorful regionalisms – makes her an appealing guide. In one amusing example, revealing her family background, she says that her "old da... fancied himself a roaring dissenter, but all I ever saw him dissent from was a hard day’s work.” The action starts when her elderly master’s young second wife, Lady Carinna, shows up at Mawton alone and unannounced, then demands an escort to her uncle’s villa in Italy. “I reckon she brings only trouble here,” says Biddy, all too correctly.

Fashionable and fine-looking but with unorthodox habits, Lady Carinna’s a bit strange, but she likes Biddy’s cooking and Biddy herself – and orders her to come along and dish up good English fare along the way. Biddy forms a friendship with Mr Loveday, the footman, whose non-western background is highlighted. Smart and literate yet lonely, he’s a former warrior from Batavia who mentally escapes from the drudgery through dreams of his previous life. The servant’s lot is a lowly and demeaning one, that’s apparent, but from sophisticated Paris to the Alps of Savoy to the gloomy and aptly named Villa Ombrosa in Tuscany, ambitious Biddy keeps her good sense and finds new opportunities to up her culinary game.

Letters travel back and forth from others as their party heads south, which leave Mr Loveday and Biddy wondering about the true reasons behind their travels. The story remains absorbing throughout, and the suspense gradually increases as the story behind the ghastly scene in the prologue comes to light. This scrumptiously satisfying work will leave readers eagerly awaiting the author’s next fictional creation, foodie or otherwise.

An Appetite for Violets was published in January by St. Martin's Press ($26.99 US/Can, hb, 391pp).  It was published in the UK by Hodder Paperbacks in January as well (£7.99).  Thanks to the publisher for sending me an ARC at my request.

The weight of history: Orhan's Inheritance by Aline Ohanesian

When Orhan Türkoğlu comes home to Kerod in Anatolia after the death of his grandfather, Kemal, the driver of his hired car praises him for returning. “So many young people leave their villages and never come back,” he says.

The statement has a double meaning the speaker didn't intend but which the reader will come to understand.  Back in 1915, countless young Armenians, along with their families, had been forced out of their villages in the Ottoman Empire and into the Syrian desert. Only vestiges of their historical presence remain today in their homeland.

Thus begins a novel that works as an entertaining story and a learning experience – for the reader and, in different ways, for its two protagonists. Orhan comes face to face with his country’s shameful, unacknowledged past after learning that his grandfather had left him his rug business, skipping over his irritated father, but willed their family’s ancestral house to an Armenian woman, Seda Melkonian, living in a California nursing home.

Aline Ohanesian has made several wise decisions in structuring her debut novel, which is set partly in 1990, partly a century ago. Rather than jumping back and forth frequently between the two eras and several viewpoints, which could have felt abrupt and dizzying, she gives all of her narratives sufficient time to build and take hold.

Also, from Orhan and Kemal to Orhan’s Auntie Fatma, whose tart and feisty attitude spices things up, to the elderly Seda, who feels weighted down by a personal history she can’t escape, her characters are as well-developed as her plots. It's an emotional page-turner of a book, and while it doesn’t shy away from the horrors the Armenians suffered at Turkish hands, it also doesn’t malign an entire people.

And finally, with her intimate focus on one family’s tragic losses, she conveys the enormity of the devastation wrought upon their ethnic group. The Melkonians’ story is both unique and universal.

Those who enjoy piecing together mysteries will find much to appreciate in Orhan’s Inheritance, since no single individual has all the information to resolve a historical puzzle. For prospective readers, the less said about the plot’s specifics here, the better.

Basing her moving work on her great-grandmother’s early life, Ohanesian shows how the past must be acknowledged, and ignorance abolished, in order to move forward. As the centennial of the Armenian Genocide is observed this month, with widespread commemorations and continued urgings for more official recognition, there should be no question that this work of historical fiction – and history itself – has incredible relevance for today.

Orhan's Inheritance was published this month by Algonquin Books of Chapel Hill (hb, $25.95, 352pp). Thanks to the publisher for the copy that showed up in my mailbox. 

The underside of Gilded Age New York: Leslie Parry's Church of Marvels

“Life is uncommon and strange; it is full of intricacies and odd, confounding turns.” This statement made by the opening narrator of Parry’s creative debut also describes its characters and story line, which bursts with extraordinary, Dickensian-style details of 1895 New York.

Amid the city’s grimy waterfronts, opium dens, and other lowlife regions, four impoverished misfits pursue separate missions. The discovery of a newborn baby in the privies outside a tenement prompts Sylvan Threadgill to locate the child’s mother, while Odile Church leaves Coney Island to find her sister, Belle, her sideshow partner before fire killed their courageous mother and destroyed their circus. Lastly, young Alphie waits for her undertaker husband to rescue her from an asylum. Their stories twine together in ways that feel surprising when first encountered but were actually carefully planted from the start.

Emphasizing the plight of women, orphans, and society’s nonconforming outcasts, the setting is superbly showcased, with its medley of sights and smells both wretched and wondrous. Especially recommended for admirers of atmospheric nineteenth-century historicals like Emma Donoghue’s Frog Music (2014).

Church of Marvels will be published on May 5th by Ecco (hb, $26.99, 320pp) and in June by Two Roads in the UK (hb, £16.99).  This review first appeared in Booklist's April 15th issue, which has a special focus on historical fiction.

I've mentioned here before that I'm not usually drawn to novels dealing with circuses, fairs, magicians, etc..  Growing up hearing grisly tales of the Hartford Circus Fire (1944) and with a fear of clowns had that effect on me.  However, after reading and reviewing a few of these books and enjoying them very much, it may be time to revise my opinions.  Or at least make exceptions!

Bits and pieces of historical fiction news

A few announcements and links I've picked up here and there.

First is that I'm signing up for the Australian Women Writers Challenge.  It's been a few years since I participated in a reading challenge, aside from the annual Goodreads one, and this one fits my current reading and interests.  The challenge is open to everyone, regardless of geographic location, so I'm in. There are many excellent historical novelists from Australia, and I like the concept behind the challenge: to support and promote books by Australian women.

It helps that I've already read three novels that fit the criteria, so I'm choosing the Miles level - reading six, reviewing at least four.  This should be no problem, especially with Kate Morton's The Lake House (which has cover art posted - go look!) and Kate Forsyth's The Wild Girl set to be published in the US this year, among others.  I also have Posie Graeme-Evans' Wild Wood on the TBR.

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A review I linked up on the Historical Novel Society's FB group yesterday has provoked a lot of discussion on the value (or not) that author's notes and bibliographies have for historical novels.  In her mostly positive New York Times review of Aislinn Hunter's new dual-period novel The World Before Us, Penelope Lively spent a paragraph criticizing the existence of Hunter's 3 1/2-page acknowledgments section.  An excerpt:

It seems to be mandatory nowadays for a novelist (especially a historical novelist) to conclude with an extensive list of source material, along with copious thanks in all directions, as if this were a doctoral thesis rather than a work of fiction. I wish this weren’t so. I don’t want to know about the ballast of research. I want simply to enjoy the author’s evocative skill without being told how it was primed.

Do these extras interest you as a reader, or do they pull you out of the experience?  You can see the acknowledgments pages via Google Books (scroll to the very end).  Hunter lists four main print resources and a number of people.  I was surprised that a reviewer would object to an author thanking her sources, including individuals who gave her access to private archives, answered her questions, and provided her with funding; it seemed like proper acknowledgment rather than scholarly excess.

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From a week ago last Sunday, Laura Miller's piece on "our enduring Tudor obsession" praises Wolf Hall (print and TV) while denigrating shows like The Tudors and what she terms "princess novels," such as those written by Jean Plaidy and Philippa Gregory, for their supposed emphasis on sex and fashion over serious matters such as politics.  Novelist Elizabeth Fremantle provides an excellent rebuttal to many of Miller's points for The History Girls blog.  The comments to the latter are worth reading, too.  Novelists who write about women's lives and issues still struggle to be taken seriously.

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The shortlist for the Bailey's Women's Prize for Fiction was just announced, and out of the six titles, four have historical components:  A God in Every Stone by Kamila Shamsie, taking place around WWI and later; How to Be Both by Ali Smith, a "literary double-take" set now and in 15th-c Italy; A Spool of Blue Thread by Anne Tyler, moving from the late '50s forward; and The Paying Guests by Sarah Waters, set in 1920s London.

A woman's quest for independence in medieval England: Karen Brooks' The Brewer's Tale

Karen Brooks’ The Brewer’s Tale will be a treasure for readers who appreciate an accurately rendered medieval setting and characters who reflect the era. The time frame (the later years of Henry IV’s reign) isn’t one often showcased in historical fiction, especially from a tradeswoman’s perspective.

All of the details on the production of ale and beer in early 15th-century England are fascinating to read – from the collection of ingredients to the actual brewing, the quality testing by officials called ale-conners, and the regulations covering sales and distribution.

On the other hand, the novel’s heroine meets with almost every possible calamity. While the fluid prose is compulsively readable, the periods of uneven plotting made for a bumpy experience. Rarely have I read a novel that provoked such a mixed reaction on my part.

After her father’s death at sea, and upon learning that her home and wealth no longer belong to her family, Anneke Sheldrake takes an unusual step. Using knowledge passed down from her Dutch mother, she decides to start a brewery business to provide for herself, her orphaned siblings, and the servants who depend on them.

But Anneke is a single woman from a respected merchant family, and her decision is greeted with disbelief and shock. Her going into trade herself means deliberately lowering her social status, which is incomprehensible to those around her. “It’s like a sackcloth you can never shuck,” her steward, Adam, tells her. “Once you step in this direction, you can never go back.” Brooks deserves credit for faithfully depicting the social strictures faced by her courageous protagonist.

Anneke’s journey toward independence meets with great success in some avenues – with her secret recipes, her brews are a huge hit – but it’s fraught with difficulties. Monks from the nearby friary have their own competing brew and aren’t afraid to play dirty. Anneke’s cousin becomes more spiteful than ever. And that’s just the beginning. I understand her life isn’t meant to be easy, but some episodes felt so over-the-top dramatic that I put the book down at several points, not sure if I wanted to continue. In the end, I’m glad I persisted.

In addition to the realistic late medieval atmosphere, other highlights include Anneke’s relationships with the people who support her, including Adam, a servant-turned-friend and father figure; an older businesswoman, Alyson, who was plucked right out of Chaucer’s world; and a man who becomes an unexpected love interest.

“You’ve endured more than anyone has a right,” Anneke is told at one point, after yet another period of misfortune. I can’t help but agree. She’s a character desperately in need of a satisfying ending – and this lengthy, entertaining, and sometimes frustrating book provides one at last.

The Brewer's Tale was published by Harlequin MIRA Australia in October 2014 (trade pb, 582pp, Au$32.99).  For those outside Australia, it's available at Fishpond for US$24.97, postpaid. The paperback's not listed at Amazon.com, but the Audible version is.  Thanks to the publisher for sending me a NetGalley widget.

A mystery with music: Laura Lebow's The Figaro Murders

While some members of my extended family are skilled musicians, violinists and opera composers among them, I’m about as musically talented as a cardboard box. Fortunately, this didn’t inhibit my appreciation of Laura Lebow’s The Figaro Murders, which transforms Lorenzo Da Ponte, the real-life librettist for Mozart’s The Marriage of Figaro, into a reluctant sleuth.

The setting is Vienna in 1786, a city ruled over by the tolerant, progressive-minded emperor, Joseph II, son of Maria Theresa (and brother of Marie-Antoinette). Da Ponte, the court poet, is on deadline for a couple of important commissions, but he doesn’t mind taking time out to help a friend.

Just before he’s carted off to debtors’ prison, his barber, Johann Vogel, who had recently discovered he was adopted, begs Da Ponte to find his real parents. If they’re from the nobility, they may have the funds to secure Vogel’s release.

The situation gets dicey, though, when Da Ponte drops by to see Vogel’s fiancée, a maid at the Palais Gabler. Hours after Da Ponte’s visit, an annoying aristocratic boy from the Palais is found dead, pushed out of an upper-storey window. Accused of the crime and threatened by Pergen, the minister of police, Da Ponte has only one way to clear his name: he must install himself in the household of the Baron Gabler, the prospective ambassador to St. Petersburg, and root out a suspected Prussian spy.

The amiable Da Ponte makes for good company. Admittedly bored by politics, he doubts his abilities to find the perpetrator despite his healthy ego. “Did Pergen really believe that I could solve this crime? True, I am intelligent and observant, as every poet must be…. But hunting down a spy and a murderer! How had I gotten myself into this mess?”

On top of that stress, to pull off his assumed role as poetry teacher to the Baron’s wife, he has to eat with and lodge alongside the servants. How demeaning! Adding even more intrigue is Da Ponte’s hidden past, and assuming this is first in a series, I look forward to seeing how it features in upcoming books.

European politics, a hint of romance, and the staging of a now-famous opera all play roles in this engaging debut mystery. Spending time in the cultured world of 18th-century Vienna is a highlight. Per her bio, Lebow has a master’s in City Planning, and I could easily picture the layout of Vienna under her direction: its narrow streets, market squares, bureaucratic district, and popular theatres. It was only with the architectural terms that I found myself stumbling, needing to look up what entablatures and telamones were.

For those interested in catching glimpses of Mozart, the “small composer” himself, he’s presented as a devoted husband and father who happens to have impressive musical gifts. Da Ponte is the star here, though, a deliberate choice on Lebow’s part (read her informative author’s note for more). In her solidly researched novel, the librettist gets his turn in the spotlight.

The Figaro Murders was published on March 31st by Minotaur ($24.99 / C$28.99, 320pp + author's note).  Thanks to the publisher for sending me a copy.

The fictional memoirs of George Sand: Elizabeth Berg's The Dream Lover

This work marks best-selling writer Berg’s first major venture into biographical historical fiction, a move that’s partly successful. Her subject is exciting and on-trend: George Sand, the nineteenth-century French writer whose insightful novels took readers by storm, and whose cross-dressing persona and many love affairs scandalized contemporary society.

Born Amantine-Lucile-Aurore Dupin in 1804, she lived by her own rules, and her imagined voice—warm, sincere, and wise—is wonderfully disarming. As Sand examines her past, from her tense relationships with blood relations through her unhappy marriage and subsequent flight to independence in Paris, we’re introduced to this fascinating woman.

Berg’s descriptive skills are remarkable throughout, but Sand’s actions are too often reported from a distance rather than dramatized. This memoir-like style lets us learn about and admire Sand without placing us in the moment with her. There are exceptions, though, such as her scenes with actress Marie Dorval—her deepest, most passionate attachment—and her philosophical reflections on her continued search for love. It’s at these times that her story feels most immediate and alive.

The Dream Lover is published on April 14th by Random House (hardcover, $28, 368pp).  It appears on the LibraryReads list for April.  This review first appeared in Booklist's Feb 15th issue.

The novel is being heavily promoted, and the packaging is gorgeous. The flourishes on the image above are a little less prominent on the real thing, and her hair blends in more with the dark background.  From the moment I first saw it, I wondered if the image was a softened version of German artist Joseph Karl Stieler's portrait of Nanette Kaula, which appears in Ludwig I's Gallery of Beauties. The jacket doesn't say, but based on the listed source for the painting, it's possible.

Paula Brackston's The Silver Witch, a novel of Welsh mystery and magic - plus giveaway

Paula Brackston spins tales of history, mystery, and romance that layer contemporary and historical plotlines with a strong dose of the paranormal. Her absorbing latest follows the journeys of two women living eleven centuries apart along the same lake in central Wales.

Parallels between them are drawn early on, since they share much in common: their unusual pale looks, their living alone, and their mysterious talents (honored and feared in the case of one of them; raw and uncontrolled in the other, at least as the novel begins).

Seren is a witch and shaman who uses her powers to serve Prince Brynach, whose royal palace sits atop a small crannog, or man-made island, in the lake’s center. The setting is nebulous at first: descriptions of Seren’s wolf-pelt headdress, her visions, and other pagan practices call to mind some ancient Celtic past. The images Seren sees predict betrayal and danger for Brynach, but she has doubters - including Brynach himself, who can’t imagine a traitor in his midst.

Her modern counterpart is Tilda Fordwells, an accomplished sculptor whose plan to begin her married life near Llangors Lake crumbled after Mat’s sudden death in a car accident. Now, living by herself in what would have been their dream cottage, she notices strange things, like electrical failures wherever she goes, visions of people from the past, and an odd sensation about an archaeological dig happening nearby.

As Seren’s tale becomes more historically centered, with details eventually anchoring itself in the early 10th century, Tilda’s tale takes progressively more supernatural turns. It makes for a creative blend, and as the stories continue, the women’s connections become more obvious.

The title partly refers to the women's silver-blond hair, a result of their albinism. The fact that both have "special powers" is a bit cliché, although they aren't the only characters to have magical abilities.  Also, in contrast to stereotypically negative portrayals (like in The Da Vinci Code), the novel provides a sympathetic depiction of this oft-misunderstood condition. In the case of Tilda, for example, it’s explained how her albinism meets with uncomfortable stares and makes her eyes sensitive to light.

In parts, The Silver Witch calls to mind The Mists of Avalon for its mystical lakeside atmosphere, and James Long’s Ferney for its sense of the inescapable past. Although it’s neither Arthurian nor a reincarnation story, admirers of both books would do well to check it out.

While some supernatural aspects feel over the top, and the portent-heavy prologue feels unnecessary, it succeeds in evoking people’s deep ties to a place and creatively imagines a lesser-known historical episode – one found in the Anglo-Saxon Chronicle. The plot couldn’t legitimately take place anywhere else, and like all good historical fiction, fantastical or otherwise, it should spur readers to learn more about the place that inspired it.

Llangors Crannog, public domain photo

The Silver Witch is published by Thomas Dunne in April in hardcover ($25.99, Can$29.99).  Thanks to the publisher for sending me an ARC.  For your chance to win a copy of your own, fill out the form below.  If the winner is based in the US, the publisher will supply the copy; if outside the US, I'll send you mine.  Deadline Friday, April 10th.

The giveaway has ended. Congratulations to Kathy W!  Please reply within the next week to claim your book.

New & upcoming historical novels in celebration of Women's History Month, part 2

Here's part two of my gallery of historical novels by women, about women - just finished under the wire, since March is almost over.  Part 1 can be found here.

Marci Jefferson's second novel (after Girl on the Golden Coin) is about Marie Mancini, one of the famous nieces of the ruthlessly powerful Cardinal Mazarin in the Sun King's court.  Thomas Dunne, May.



Mackin's newest historical title will introduce readers to a little-known woman who deserves recognition: Beatrix Ferrand, a pioneering landscape architect whose passion for gardens is fixed after a European tour.  Her "good family" includes her aunt, writer Edith Wharton.  NAL, June.



McLain's followup to the bestseller and book club hit The Paris Wife centers on Beryl Markham, noted aviator, adventurer, and memoirist (West with the Night) in colonial Kenya.  And yes, she was also known for her love affair with Denys Finch Hatton (among others).  Ballantine, August.




Turn-of-the-century Puerto Rico is the setting for this new novel about Afro-Cuban midwife Ana Belén Opaku and the male-centered society that women were forced to endure in this time and place.  Booktrope, February.



It's not easy being the daughter of Catherine de Médicis, Queen of France. Perinot moves to a new publisher and to hardcover format with her second novel, a tale of Princess Margot, who's caught between family loyalty and a forbidden love at a time of religious turmoil.  Thomas Dunne, December.



From the bestselling author of Wench comes a new novel, set in the post-Civil War era, about two women and one man who move to Chicago in search of new possibilities now that slavery has been abolished.  Amistad, May.



Eliza Redgold (pseudonym of writer and academic Dr. Elizabeth Reid Boyd) takes us back to 11th-century Coventry, England, when Lady Godiva takes a drastic step to protest unfair taxation against Mercia's people.  St. Martin's Griffin, July.



Robuck's latest literary-focused novel examines the marriage of artist Sophia Peabody and writer Nathaniel Hawthorne, and the many challenges they faced before and after their enduring marriage. NAL, May.



I loved Thornton's previous novel The Tiger Queens so am eagerly anticipating her end-of-year release, which looks at the women surrounding Alexander the Great.  NAL, December.



When I read and reviews Williams' The Secret Life of Violet Grant (which was a lot of fun), I hadn't realized it was first in what will be a trilogy about the Schuyler sisters. The heroine of this one is Christina "Tiny" Hardcastle, Vivian's sister, whose picture-perfect society life begins to unravel during the summer of 1966.  Putnam, June.

Maureen Gibbon's Paris Red: a bold, observant novel of Manet's most famous model

Victorine Louise Meurent, the young woman who posed for Édouard Manet’s innovative, scandalous painting Olympia, among others, is placed at the center of Gibbon’s observant work.

In 1862, after an unnamed stranger enters the lives of Victorine and her close friend, Denise, and begins a teasing, charged relationship with them both, she takes a courageous step, leaving behind her impoverished existence as a silver burnisher to pursue him solo.

It becomes clear that she’s his match in sensuality—which surprises and pleases him—and her boldness serves them both well in her role as his model. Their affair is undeniably erotic, yet one of Paris Red ’s strengths lies in its unexpected status as a tale of artistic rather than sexual awakening.

Although only 17 to his thirtysomething, Victorine is no naive ingenue, and her involvement with Manet and his world serves as her entrée into a new way of envisioning and experiencing life. Full of animated scenes of working-class Paris in the 1860s, Gibbon’s color-rich prose moves with the deliberate urgency of brushstrokes on canvas.

Maureen Gibbon's Paris Red will be published on April 20th by W. W. Norton (hardcover, $24.95, 224pp).  This review first appeared in March 15th's Booklist.

Victorine Meurent (1844-1927) posed for numerous works by Manet, including the famous Le Déjeuner Sur l’Herbe (1863).  What isn't as well known is that she became a noted artist in her own right, exhibiting her work at Paris's Salon in 1876, although only one of her paintings has survived.  Read more about her in Kathryn Hughes' 2013 article for the Telegraph, "Manet's Forgotten Muse," and in the Guardian, V. R. Main's "The Naked Truth."

For more on Paris Red, Stephanie Renee dos Santos has a new review and interview with Maureen Gibbon at her blog, Love of Art in Historical Fiction.

Giveaway winners, blog feedback, and some links

Thanks to everyone who entered my 9th anniversary giveaway last week.  It was great to see so many entries, and I loved reading your comments - it felt like it was my real birthday!

First, the giveaway winners:

Fiercombe Manor will be going to Martha E.
Girl on the Golden Coin will be going to Mary Jane H.
My Name is Resolute will be going to Maria G.
The Siege Winter will be going to Tiffany K. (update; original winner did not respond)
Emails have been sent to all the winners.  Please respond within a week to claim your prize, and hope you'll enjoy your books.

As for what readers said they enjoyed most and would like to see more of, just to summarize briefly:  there were a number of people who mentioned the reviews and posts of forthcoming books, which I'll plan on doing more of this year, in addition to some themed lists.  If you have a request for a specific subject for a themed list, feel free to leave me a comment or send me an email, and see what I can do.  I also think it's cool that some of you are using the preview posts to take to the library or place library hold requests. The feedback you've all provided has been very helpful for me in seeing what you're interested in.  I appreciate every comment and will have to think of something special to do next year for the 10th.

More reviews will be posted soon, but in the meanwhile:

The Walter Scott Prize shortlist has been announced, with seven titles out of the original 15 longlisted titles remaining in contention.  They are:

The Zone of Interest by Martin Amis
The Lie by Helen Dunmore
Viper Wine by Hermione Eyre
In the Wolf's Mouth by Adam Foulds
Arctic Summer by Damon Galgut
A God in Every Stone by Kamila Shamsie
The Ten Thousand Things by John Spurling

More from the BBC, and at the History Girls blog, Elizabeth Laird, a member of the judging panel, has concise overviews of all seven books.  Also, Larry at the excellent blog Novel Historian has been providing critical reviews of some of the shortlisted and longlisted titles, as well as other works of historical fiction.

I've been slowly updating the HNS Forthcoming Books page for 2015, which now has info listed through next January - though it's especially incomplete for the later months.  Also at the Historical Novel Society site, Fiona Sheppard maintains a similar list of children's and YA titles, and she's found details on new titles coming out over the next 12 months.

Book review, with historical notes: A Slant of Light, by Jeffrey Lent

A somber and breathtaking Hardyesque vision of a little-known American past, Lent’s newest epic unfolds with the assured timelessness of a classic. The setting is New York’s Finger Lakes region, a land of agrarian bounty where peculiar religious movements once took root.

Mystery surrounds the murders of Amos Wheeler and his lover, Bethany Hopeton, by her husband, Malcolm, after he returns from the Civil War. It’s not easy for anyone, Malcolm especially, to cope with his dreadful act.

Also affected are Harlan, the Hopetons’ hired boy, and August, a caring man who shelters Harlan and his sister. Several interlocking secrets (Why does Harlan remain loyal to Malcolm? What was Bethany’s true nature?) are skillfully untangled both by looking backward and moving ahead.

There’s an overabundance of detail on farming, but many sentences demand rereading for their sheer beauty, and each love story—some tragic, others newly born—has a poignant emotional charge. Lent offers eloquent insight into what makes his characters tick, yet enough unknowns remain to keep the novel unpredictable through the final pages.

Jeffrey Lent's A Slant of Light will be published in early April by Bloomsbury USA (hardcover, $27, 368pp).  This review first appeared in Booklist's February 15th issue.

Some other notes:

More specifically, the novel takes place in Yates County, New York, in the 1860s.  If Lent's characters were real, they could have known my ancestors, who settled in the region in the early 1800s and were still living there during the Civil War.  I've visited in person, and it's beautiful country.

The hilly farmland of Italy, New York, on a hazy day in August 2001; photo by me

Many towns and villages of Yates County have colorful names with interesting histories, among them Milo, Jerusalem, Dundee, Penn Yan, and Italy, which sits across the county line from the town of Naples in Ontario County.

When you do genealogy research in an area, you get to know what records exist and where, the layout of the towns, people's traditional occupations, churches, and naming traditions... but you don't always absorb the cultural history in detail.  In that sense, I'm grateful to Lent's novel for giving me further perspective on a truly fascinating slice of history and breathing life into it.

There are references throughout the novel to someone called the Public Friend, a religious figure whose beliefs still provide guidance on daily living, even decades after her death. The Kirkus reviewer called her "a female divine clearly modeled on the Shakers’ Mother Ann Lee." While it's true that her teachings were shaped by those of Ann Lee, she isn't fictional.

The Public Friend—who was also called the Universal Friend—is a historical figure who influenced religious thought in New England, Pennsylvania, and western New York in the late 18th and early 19th centuries.  An evangelical preacher, her birth name was Jemima Wilkinson, although she didn't answer to that name after a near-fatal illness and her subsequent religious awakening.  After some wanderings, in 1794 she and her followers settled in a hamlet she called "the new Jerusalem."

The Yates County Office of Public History has much more on her and the utopian community she founded.  Upstate New York was the crucible for many early American reform movements, some better known than others, and it was a treat to see one of them depicted in a new work of fiction.