Sunday, March 17, 2024

Stefania Auci's The Triumph of the Lions continues her saga about a prominent Sicilian dynasty

This second in a trilogy (after The Florios of Sicily, 2020) about a real-life Italian industrialist dynasty opens in 1868, as thirty-year-old Ignazio Florio takes the reins after father Vincenzo’s too-early death. “Swear to me that you will never put work before your family,” Ignazio’s grieving mother Giulia demands, but despite their opposing temperaments, Ignazio resembles Vincenzo in his dedication to the firm above all else.

Ignazio succeeds beyond anyone’s greatest plans, establishing a shipping empire alongside existing achievements in tuna canning and marsala wine. The Florios’ power, plus Ignazio’s marriage to Giovanna, a young baroness who adores him unrequitedly, guarantees their societal acceptance.

Business and family are deeply interlinked here, and Auci’s smooth narrative explores this dynamic from multiple angles, depicting the inner workings of business deals alongside personal triumphs and romantic regrets. Giovanna, a greatly sympathetic character, suffers marital neglect while raising their children, and we later see the torch pass again from father to son.

A diverting, informative saga and detailed tour of Sicily, from bustling Palermo to the picturesque outlying islands.

The Triumph of the Lions, which was translated from Italian into English by Katherine Gregor and Howard Curtis, was published by HarperVia, HarperCollins' imprint for international voices, on March 12th. I wrote this review for Booklist's March 15th issue. The Lions of Sicily is a new TV series on Hulu (which I haven't yet seen) that's based on this internationally bestselling series. There will be a third book, The Fall of the Florios, out in late August.

Saturday, March 09, 2024

Review of The Romanov Brides: A Novel of the Last Tsarina and Her Sisters by Clare McHugh

Decades before the Bolshevik Revolution and the Romanov dynasty’s terrible end, the future Tsarina Alexandra and her older sister, Grand Duchess Elizabeth, were princesses of the small German state of Hesse and by Rhine. Leading us very capably through these young women’s lives, McHugh shows how their marriages into Russia’s imperial family were by no means predestined.

Ella and Alix, as they’re called, tragically lose their mother to diphtheria but grow up alongside their siblings and an extended family that includes the rulers of Britain, Prussia, and Russia. (McHugh travels through this potentially confusing mass of royal relationships with aplomb.) As a teenager, Ella, an elegant beauty, captivates Tsar Alexander’s brother, the Grand Duke Serge, and wonders if hidden emotional depths lie behind his seriousness.

Her protectively imperious grandmother, Queen Victoria, begs her not to marry into a “country where no one of rank is safe” – and she’s right, as we know – but Ella comes to believe she’ll fulfill a higher purpose as Serge’s wife. As Ella navigates her marriage’s unexpected confines, Alix, painfully shy, remembers the bond she formed with Serge’s nephew, the tsarevich Nicky, when she visited Russia for Ella’s wedding. However, multiple barriers keep them apart.

The story remains within the characters’ inner circles, with an occasional nod to outside politics (“They believe they are owed everything and their people are owed nothing,” says Ella’s uncle Leo about the Romanovs’ autocratic rule). The intimate focus ensures a sympathetic view while emphasizing how sheltered the women are.

In this beautifully spun chronicle of love, family, and faith, McHugh carefully illustrates her protagonists’ religious views. One might wonder if a novel about both couples’ early histories (it ends in 1894) would offer enough plot to keep the pages turning, but it definitely does. The Romanov Brides will be enlightening for royalty buffs.

The Romanov Brides will be published by William Morrow on March 12th. I reviewed it initially for the Historical Novels Review, from an Edelweiss e-copy. This is one I grabbed to read myself as soon as I heard it was available!  I've read many nonfiction accounts about Romanov family members, but Alexandra and Ella don't appear in much fiction as principal characters. Their later lives are especially tragic, which may be a reason. There is an older biographical novel about the pair, Antony Lambton's Elizabeth and Alexandra, but it devolves into such bizarre scenarios at the end that it's better called alternate history. So this new novel about their earlier lives is definitely welcome.

McHugh has also written fiction about Queen Victoria's oldest daughter, Vicky, who became Empress of Germany and the mother of Kaiser Wilhelm, in A Most English Princess (2020). I look forward to seeing who she'll write about next.

Tuesday, March 05, 2024

Flora Carr's The Tower explores a dark, pivotal year in Mary, Queen of Scots' life

Carr’s taut debut recalls Maggie O’Farrell’s The Marriage Portrait (2022) in its evocation of a highborn Renaissance woman trapped against her will and desperately contriving to escape. The setting: Lochleven Castle, a stone fortress on a Scottish island, hauntingly picturesque from outside, but a dank, oppressive prison for Mary, Queen of Scots and her two chamberwomen, Jane and Marie, called “Cuckoo.”

In 1567, Mary, the embattled Catholic ruler of a Protestant country, is with child by her third husband, the despised Bothwell, and pressured to abdicate in favor of her one-year-old son, James. The women’s shifting emotional patterns, and regular flashbacks illustrating the political background, keep tension bubbling and prevent the story from feeling claustrophobic. Mary’s childhood friend Lady Seton joins the trio later, complicating their dynamics.

Mary remains captivating as she earns and feeds off others’ devotion; Carr dexterously explores how the seductive allure of royalty is undimmed by Mary’s grim circumstances, which are depicted with earthy physicality. Despite Mary’s foreshadowed downfall, this pulled-from-history event resounds as a victory for female camaraderie and cleverness.

The Tower is published today in the US by Doubleday, and this is the draft review I'd submitted for Booklist (the final version was published in the 2/15 issue).  If you know the history, it's a novel that will have you reconsidering all of the characters in a new way, including (especially) Mary, Queen of Scots.  If you don't mind some spoilers about the real history behind the story and how it ends, read more at The History Press.

Thursday, February 29, 2024

Anne Perry explores dark secrets in small-town Dorset in her newest Victorian-era novella

Over several standalone outings, Mariah Ellison, the formidable Grandmama of Charlotte Pitt from Perry’s long-running mystery series, has proved to have her own bona fides for detection. This latest holiday novella, set at the end of the Victorian era, sees Mariah arriving at St. Helens, a small Dorset village, after accepting her old friend Sadie Alsop’s invitation to stay with her over Christmas.

Mariah senses that Sadie is in trouble and needs her help, and her inner alarm is heightened when she arrives on Sadie’s doorstep and is rudely turned away by her husband, Barton. Clearly not expecting her, Barton tells her Sadie has left, and he doesn’t know if she’s ever coming back. Baffled and eventually settling in at the cozy home of Gwendolyn, a kindly older woman who never married, Mariah grows concerned about Sadie’s whereabouts (did she leave willingly, or was she abducted?), a feeling that intensifies after days pass with no answers.

Gwendolyn and a caring bookshop owner join Mariah’s unofficial investigation, which uncovers a web of malice that has overtaken St. Helens and threatens to dredge up painful secrets. As Mariah works out who’s responsible, she reflects on the fact that “everyone has a hidden side.”

Characterization is top notch, and the interactions among the diverse villagers reflect Victorian society. As Christmas mysteries go, this story turns darker than most as it delves into human nature’s most sinister aspects. At the same time, the ending grants a feeling of hope, both for the village and Mariah herself. Her abusive marriage had turned her spiteful and bitter, but she’s come to recognize these destructive patterns and consciously works to express unfamiliar emotions like gratitude and compassion.

A Christmas Vanishing was published by Ballantine in November 2023, and I reviewed it for February's Historical Novels Review.  The UK publisher is Headline.  

You may ask... it's 2024 already, so why review this book now?  Well, I hadn't gotten to read it myself until after the holidays, and Christmas doesn't play a big part in the plot other than its timing. This isn't exactly a warm and cozy read, but it's in keeping with Perry's perennial themes of justice and the complexity of human nature. It also may be Perry's final book, as she passed away in April last year.

Thursday, February 22, 2024

Looking for a reinterpretation of Lady Macbeth's dramatic life? Here are four new historical novels to tempt you.

It's a trend in historical fiction for authors to dig into the roots of vilified characters and examine whether our long-held preconceptions hold true. Feminist reinterpretations of historical women's lives are likewise popular. These two topics converge in four new and upcoming historical novels about the figure best known to us as Lady Macbeth. It turns out that Shakespeare's depiction of the 11th-century Scottish queen—as a ruthless and manipulative woman driven to madness—and her husband is not exactly historically accurate. Like other writers of historical fiction, he used creative license to tell the story he wanted.

It's rare to see four different novels about the same person (other than maybe the mythological figure Medusa) appearing so close together, an example of great minds (and their editors) thinking alike. Each author has made their choice on the approach to follow: do they begin with Shakespeare's anti-heroine?  Do they go back a thousand years in history and try to find the real Lady Macbeth, a Scottish noblewoman named Gruoch?  Or do they attempt to combine the two?  

Queen Macbeth by Val McDermid
Part of Scottish publishing imprint Polygon's Darkland Tales series of "punky, anarchic retellings of landmark moments from our past," well-known crime writer Val McDermid's Queen Macbeth is a short novel that promises to expose the "patriarchal prejudices of history" in a dark, gritty story of a queen (and her three companions - sound familiar?) fleeing a dark fate.  Out in May 2024.

All Our Yesterdays by Joel H. MorrisThe debut novel by Joel H. Morris, who holds a comparative literature PhD and has extensive familiarity with teaching Shakespeare's play, goes back to the characters' historical origins to examine the circumstances which led a young woman of royal Scottish blood (called "the Lady" here) to marry a powerful, enigmatic man as her second husband, and try to overcome the evil of an old prophecy.  Out from Putnam in March 2024.

Lady Macbeth by Ava ReidFalling into the romantasy genre (historical romantasy, to be specific!), Ava Reid's Lady Macbeth, to be published by the fantasy imprint Del Rey in August 2024, is described as a gothic reimagining of this famous character's life, a novel of dark secrets, prophecies, and occult battles featuring an ambitious female lead.

Queen Hereafter by Isabelle Schuler, or Lady Macbethad for the UK title

Gruoch, a young woman of Pictish heritage, comes of age in a violent medieval world and expects to be queen one day, as foretold in a prophecy, and becomes engaged to the royal heir, Duncan, in service of this goal... but life has a way of throwing roadblocks in her path to the throne.  Published last year in the UK by Raven Books (at right) and by Harper Perennial in the US in October 2023 (at left).

Tuesday, February 20, 2024

A Wild and Heavenly Place tells a star-crossed love story spanning late 19th-century Scotland and the Pacific Northwest

With her aptly titled novel, Oliveira (Winter Sisters, 2018) sweeps romantically inclined readers into the spectacular setting of Washington Territory in the 1870s and 1880s, when Seattle was a muddy frontier outpost primed for growth and industrial development.

Centering this epic tale is the enduring relationship between Hailey MacIntyre, a prosperous Scottish coal engineer’s daughter, and Samuel Fiddes, an aspiring shipbuilder determined to lift himself and his young sister from poverty. After Samuel saves Hailey’s brother from an accident in Glasgow’s streets, the two fall in love, despite her parents’ disapproval.

When the MacIntyres lose everything in a bank failure, Hailey’s father relocates his reluctant, traumatized family to the Pacific Northwest, where they must adjust to severely reduced circumstances. Samuel follows soon afterward, hoping to find Hailey again.

The characters aren’t quite as nuanced as those of Oliveira’s previous historical novels, but their stories are magnetic as they undergo complex personal transformations. This unique American immigration tale has a large, multiethnic cast, and the exceptionally well-evoked backdrop makes it perfect for armchair travelers seeking an absorbing emotional escape.

Robin Oliveira's A Wild and Heavenly Place was published on Feb. 13th by G. P. Putnam's Sons, an imprint of Penguin Random House. I submitted this review originally for Booklist, and the final version appeared in January.  Isn't it a beautiful cover?

Friday, February 16, 2024

Bits and pieces of historical fiction news

Cover images

I had meant to post this roundup earlier, but I've been sidelined with a cold since Wednesday and am just starting to feel human again; I didn't even feel like reading much.  Frustrating.  But on with some links. I've been collecting articles from around the web dealing with historical fiction that I felt offered particularly noteworthy insights.

In an article for Esquire, author Vanessa Chan discusses the emphasis on research in historical fiction ("There is a curious, almost voyeuristic desire to peer into an author’s process") but expresses the importance of a different approach, the one she used for her debut novel, The Storm We Made: drawing on family history and recounted memories to ground a story in its setting. Plus, she covers the importance of using oral accounts as sources when few actual records exist, or when they're about people "ignored by the Western sources."

Armando Lucas Correa explains for CrimeReads why he decided to write a psychological thriller (prompting a groan from his editor) following a successful career in historical fiction.  "If my historical novel The German Girl sold more than a million copies, she said, why would I suddenly want to switch genres?" It's all about how bits and pieces of research can lead you in new directions and how genres fall along a continuum rather than being firmly fixed. The article got me interested in reading his historical novels, and the thriller too!

Also for CrimeReads, H.B. Lyle writes about his enjoyment in incorporating colorful real-life characters into his historical spy thrillers, from Mata Hari to two bungling Royal Marines officers and more.

Author Laurie Frankel contributes a piece for the Washington Post about how her contemporary novel suddenly became "historical" because of Covid and the Dobbs decision that took away the constitutional right to abortion in the US. Rewriting her plot became necessary.  Even though I think it's a stretch to call novels set just a few years ago "historical fiction," the article does make you think about how history is changing all the time—thus shifting how people (and fictional characters) behave—and, as she writes, how that change doesn't always move in a positive direction.

The winner of the 2024 Langum Prize in American Historical Fiction is Susanna Moore, for The Lost Wife, which is inspired by a real-life woman taken captive by Dakota Indians in 1862 Minnesota, during the devastating Dakota War. American Ending by Mary Kay Zuravleff, a novel of immigrant life in early 20th-century Pennsylvania, was the finalist.

From Bill Wolfe at Read Her Like an Open Book, a Substack newsletter I follow for its focus on female writers: James McBride and Elizabeth Graver win National Jewish Book Awards. These were announced several weeks ago. McBride's The Heaven and Earth Grocery Store has already won multiple other awards, and Elizabeth Graver's novel Kantika, a multigenerational saga inspired by her grandmother's life, focuses on a Sephardic Jewish family.

This isn't historical fiction-related specifically, but since I thought readers may find this interesting: On Wednesday, when I was home sick and unable to concentrate on much, I found myself going through YouTube watching genealogy shows (my favorite), which led me eventually to a video of a lecture given by geneticist Dr. Turi King of the University of Leicester for the Royal Institution about the work she did in identifying the remains found under a Leicester car park as the lost king Richard III. The presentation is an hour long, and I found myself riveted.... it's worth watching in full as she's an excellent speaker. I learned new things even though I've read extensively about the discovery before.  Definitely recommended!