The Dark Horizon by Liz Harris, a saga set between the two world wars in England and America

Spanning the post-WWI period through the Great Depression in England and America, Harris delivers an addictive saga reminiscent of early Barbara Taylor Bradford. The story follows the romance between two young people from different worlds and its dramatic fallout. 

Lily Brown had met Robert Linford when she was a land girl working near his family’s Oxfordshire estate. Enraptured with one another, they marry and have a son, James, but Joseph Linford, the intimidating and stubborn family patriarch, schemes to split them up, since he thinks Lily is inappropriate wife material and only after Robert’s money.

Joseph is a villain with depth. As head of Linford & Sons, he oversees a company building new housing developments on London’s outskirts and knows that Robert, his son and future successor, will need a partner who bolsters his social position. While beautiful Lily is a devoted wife and mother, it’s true that her naivete, lack of education, and the resulting anxiety hold her back. After Robert and Lily are driven apart and forced to rebuild their lives separately, it leaves a question open about whether they will ever reunite, and how, especially with both unaware of the deceit underlying their split.

The novel journeys along with their well-developed coming-of-age stories, told in parallel, as they form ties with others that help them grow in confidence. The backdrop of early 20th-century Hampstead, a community in north London, is an original setting, and the Jewish tenements of New York’s Lower East Side are vibrantly animated. 

The story zips along with emotional currents that make the book hard to put down. Harris also manages to navigate a path through a complicated plot maze at the end, wrapping up her tale in a satisfying manner while leaving room for future volumes in the Linford Saga.

The Dark Horizon was published by Heywood Press in 2020; I reviewed it for August's Historical Novels Review and will be reviewing the next book, The Flame Within, next month.  The next book will focus on Alice, the wife of Thomas Linford, who plays a secondary role here.

Receive Me Falling by Erika Robuck, a haunting multi-period Caribbean mystery

Being home so much during the pandemic has given me time to catch up with novels I’d purchased a long time ago. Erika Robuck’s Receive Me Falling is her first, self-published novel, which came out in 2009, and I’ve had it on my shelf for about that long. If you haven’t read it before, now’s a choice time to pick it up, since its setting and themes are especially timely with the craze for all things Hamilton and the current #BlackLivesMatter movement.

Skillfully jumping between the present day and the 1830s, using the popular dual-narrative format, Robuck zooms in on a sugar cane plantation, Eden, on the Caribbean island of Nevis (Alexander Hamilton’s birthplace) and its haunted history.

Meg Owen, a 33-year-old woman who works for Maryland’s controversial governor, is distraught when her parents die in a car crash the night after her engagement party. One of the properties they owned was an old plantation house on Nevis, and to clear her head, Meg travels to see her inheritance for herself. After she learns the shocking true state of her father’s financial affairs, finding the right buyer for the house and land becomes pressing.

Nearly two hundred years earlier, Catherine Dall lives with her alcoholic father, Cecil, at Eden, and oversees its sugar cane production, an operation dependent on the labor of over 200 enslaved people. Catherine believes herself to be a kind mistress and proves receptive to opinions shared by two British visitors, a father and son, who are pretending to be scoping out a site for a plantation of their own while secretly laying the groundwork for the abolitionist movement.

With its turquoise waters, cool sea breezes, and many varieties of colorful flowers filling the landscape, Nevis would be an idyllic paradise – if not for knowledge of its former residents’ slave-owning past. Meg has the option to sell to a developer who would transform the now-decrepit estate into a plantation-style resort, and she needs the money, but she finds that idea insensitive and distasteful. Catherine, meanwhile, is a wealthy young woman whose outlook reflects her time. While she may personally dislike slavery and is horrified by the actions taken by her father’s stereotypically cruel overseer, her lifestyle is so ingrained in the system that she’s unable to see a way out of it.

It’s up to Meg to sift through old artifacts and uncover, with the help of a local historian, what factors contributed to Eden’s downfall so long ago. As is rarely the case with multi-period novels, I found the modern narrative grabbed me the most, with its emphasis on sifting through the remnants of the past and its refreshingly non-standard romantic subplot.

Review of The Queen of Tuesday: A Lucille Ball Story, by Darin Strauss

The premise of Strauss’s newest literary novel is grandiose and rather wacky: that his grandfather Isidore Strauss, a Long Island real estate developer, had a secret affair with Lucille Ball. This never happened. The author describes his work as “a hybrid: half memoir and half make-believe” sparked by “an innocent dream,” although Isidore and the actress did attend the same party in which Fred Trump demolished the glass Pavilion of Fun on Coney Island. 

Their imagined meeting there, moved to 1949 from its real 1966 occurrence, opens the story. Lucille, a former B-Movie queen, has ambitious plans for television; Isidore, a handsome Jewish man with a “Cary Grant chin,” is a better listener (and lover) than the actress’s hot-tempered, unfaithful husband.

The novel follows the pair – her overnight superstardom, his struggle to maintain normality amid their romance, their progressively strained marriages – mostly separately. In between, using metafiction techniques, the author describes his grandfather’s life and his own attempts to interest his (real) agent in a screenplay Isidore and Lucille co-wrote (obviously fictional). 

The tale succeeds in entertaining, and Lucille steals the show, of course. Most moving are the scenes where she finds her comedic niche via the character of Lucy Ricardo: “Maybe she can be the audience, only funnier and a little prettier… She can conquer the world with realness.” Strauss also offers insight into celebrity culture and the difficult interplay between Lucille’s on-screen and off-screen marriages, both involving Desi Arnaz.

So much even beyond the central conceit is made up, however, that it pushes the novel into the alternate history spectrum. Even the weekday when I Love Lucy aired is off-kilter (it was Mondays, not Tuesdays). It’s best for people who value emotional over historical truth, but all the same, it should spur interest in Lucille Ball and her accomplishments. 

The Queen of Tuesday was published in August by Random House (I reviewed it for the Historical Novels Review).  I'd love to know what historical fiction readers besides me think about this premise, and about the book if you've read it.  Would you consider reading it?

The Vanishing Half by Brit Bennett, the bestselling historical saga of race, privilege, family, and identity

Brit Bennett’s second novel, a national bestseller, deserves all the attention it’s been getting. Spanning over three decades, from the Jim Crow South through 1980s California, it centers on two sisters and their daughters, and how American society’s intense focus on skin color warps the natural course of their lives. 

Desiree and Stella Vignes are twins: identical, but not alike. They come of age in 1950s Mallard, Louisiana, a Black farming community too small for any map, and whose residents take pride in the lightness of their complexions. At sixteen, both girls flee their hometown for New Orleans—they have reasons—and their lives diverge not long after. 

By 1968, after an abusive marriage, Desiree returns to Mallard with her “blueblack” daughter, Jude, whose presence stands out and startles everyone in town. After cutting herself off from her past, Stella, meanwhile, has successfully passed into white society and lives with her white husband and blonde daughter, Kennedy, in a wealthy LA neighborhood. When Jude and Kennedy happen to meet as young women—in a way that manages not to feel contrived—it has major repercussions.

Bennett draws her characters with empathy while making their flaws very plain; the story depicts a variety of relationships especially well and packs a punch with its emotional realness. The story movingly explores contemporary issues of race and gender identity and the costs incurred when abandoning one’s earlier life for a new, different persona. The dialogue feels pitch-perfect, and the story moves with engrossing momentum as the mystery builds about whether Stella’s carefully built lies will unravel. This is an outstanding work of fiction, a thought-provoking literary saga that everyone should read.

The Vanishing Half was published by Riverhead this summer. I read it from a personal copy and reviewed it for August's Historical Novels Review.  As the cover indicates, the novel has been a #1 New York Times bestseller and the Good Morning America book club pick for June, and a few days ago it was chosen for the fiction longlist for this year's National Book Award.

Before the Crown by Flora Harding fictionalizes the royal courtship of Elizabeth II and Prince Philip

Tailor-made for enthusiasts of The Crown, Flora Harding’s novel explores the intricate courtship between Elizabeth II and her consort, Prince Philip, now 94 and 99 years old. They married in 1947 and who – as avid royal watchers know – recently celebrated the wedding of their granddaughter Beatrice. Both the show and the novel provide the convincing illusion of breaching the wall that separates these world-famous, ultimately unknowable people from the rest of us.

While it can be read as a prequel to the Netflix series, Before the Crown stands independently and shouldn’t be thought of as “fan fiction.” At its heart, it reveals a love story presented as both predestined (since Elizabeth’s heart is set on Philip as a teenager) and unlikely (due to their very different temperaments, and the political roadblocks in the way of their union).

Harding is an experienced historical novelist who previously wrote Elizabethan-era fiction as Pamela Hartshorne. Her research into this considerably more modern timeframe is as thorough as ever, and her multifaceted characters have well-developed interior lives. Elizabeth, the shy and steadily reliable elder daughter of King George VI, carefully hides her feelings for Philip, whom she’s adored for years, behind a polite reserve. Philip, an outgoing Greek prince and Royal Navy lieutenant uprooted from his home country at a young age, finds himself nudged toward Elizabeth by his maternal uncle, “Dickie” Mountbatten, who knows she’d be a great catch.

Philip enjoys his naval career and a social life in which he does as he pleases, but he comes to appreciate Elizabeth’s kindness and generosity of spirit. His initiation into royal life is rocky and complicated by his sisters’ marriage to prominent Germans (former SS officers, even) and his future in-laws’ antipathy toward him as a suitor. George VI is stuffy and tradition-bound, and it doesn’t help that Philip finds hunting a dull pastime. Eventually he must decide whether to continue to pursue Elizabeth, knowing how much his lifestyle will change if they marry. The scenes at Balmoral Castle, a favorite residence of their joint ancestor Queen Victoria, evoke the rustic beauty of the Scottish landscape as the pair get to know each other better.

For readers interested in imagining what it’s like to be part of the British royals’ inner circle, Before the Crown fulfills its promises. It’s satisfying escapism perfect for these stressful times.

Before the Crown will be published tomorrow (Thursday, Sept. 17th) as an ebook by One More Chapter/HarperCollins.  The paperback will be out in December.  Thanks to the publisher for access via NetGalley.

The Forgotten Kingdom by Signe Pike continues an epic story of sixth-century Scotland

In the second book of her epic trilogy of sixth-century Scotland, Pike adeptly balances brutal power struggles and Celtic mysticism. 

Languoreth, the determined heroine from The Lost Queen (2018), is now the longtime wife of the King of Strathclyde's likely heir and a mother of four. Distraught to have her husband and twin brother, Lailoken, on opposite sides of the Battle of Arderydd, Languoreth finds her world further devastated when her eight-year-old daughter, Angharad, who was away learning druidic ways from Lailoken, vanishes in the battle’s aftermath. 

Pike interweaves their three narratives as they endure emotional losses and begin physical and inward-focused journeys to regain strength. Moving from the shaded depths of the Caledonian Wood to the Pictish kingdom in the Orkney Islands and beyond, the story delves into the beguiling religious and cultural lore of several ancient Scottish peoples. 

This book doesn’t stand alone, but ongoing readers will relish the escape into Pike’s fully developed milieu while seeing its connections to Arthurian legend grow more prominent; among other aspects, Lailoken serves as a historical model for Merlin.

The Forgotten Kingdom will be published on September 15th by Atria/Simon & Schuster (488pp, hardcover and ebook).  I reviewed it for the August issue of Booklist (reprinted with permission). I'd previously reviewed The Lost Queen two years ago. As mentioned, interested readers will likely want to start with book one, since it provides considerable context for the interpersonal relationships and power imbalances in this novel.  I look forward to continuing the story later on. The author's website says that book three will be out in September 2023.

Bits and pieces of historical fiction news

Yesterday afternoon, Maggie O'Farrell's historical novel Hamnet took home the Women's Prize for Fiction.  It was published in the UK by Tinder Press (cover image at left) and in the US by Knopf; in Canada, the title is Hamnet and Judith.  I've read it, and it's a deserving winner. Set in Shakespeare's England, the playwright is never named, but the story movingly observes the relationships between Agnes, a wise woman in 16th-century Warwickshire; her husband, a glovemaker's son; and their three children, including twins Hamnet and Judith.  Hamnet will die at age 11, an event which devastates each of the family members, who express their sorrow in different ways.

Also in the UK, Melissa Oliver won the Romantic Novelists' Association's Joan Hessayon Award, which celebrates new writers, for her debut historical romance The Rebel Heiress and the Knight (Harlequin/Mills and Boon).

Historical novelist Susanne Dunlap has a new podcast series, It's Just Historical. Each episode contains an interview with an author or other personality in the historical fiction community, including C. W. Gortner (The First Actress), Christina Baker Kline (The Exiles), Kris Waldherr (The Lost History of Dreams), and many more.

The BBC's Books section has a feature article, The Strange World of the Royal Family, in which Hephzibah Anderson speaks to two historical novelists, Wendy Holden (The Royal Governess/The Governess) and Clare McHugh (A Most English Princess) about their new works of fiction.  Holden focuses on Marion Crawford "Crawfie," the governess for Princesses Elizabeth and Margaret during their childhood, while McHugh's subject is Victoria, Princess Royal, the eldest daughter of Queen Victoria, who became Empress of Germany.

Wendy Holden also has an article for Read It Forward on the must-haves of good historical fiction.

Sarah Penner's The Lost Apothecary (Park Row, March) will be one to watch for next winter. In an interview with Publishers Weekly, she speaks about the background to her debut, which delves into female power, lethal poisons, and mystery in Georgian London.

For Writer Unboxed, Liza Nash Taylor expresses what it's like to be a debut novelist at 60. Her novel Etiquette for Runaways (Blackstone, Aug.) is set in the Jazz Age of the 1920s.

Rebecca D'Harlingue (The Lines Between Us, set in the late 15th century and today) tells How to Do World Building Right in Historical Fiction for Writers' Digest.

And Parade Magazine has fall historical fiction recommendations from 12 other historical novelists with new books out.

Creating verisimilitude in historical fiction, an essay by Linda Kass, author of A Ritchie Boy

Thanks to Linda Kass for contributing an essay on how she created a true-to-life historical backdrop in her fiction. Her novel A Ritchie Boy was recently published by She Writes Press.

~

Creating Verisimilitude in Historical Fiction

Linda Kass

As a trained journalist with two works of historical fiction under my belt (and am beginning a third), using the accurate facts of history matters to me. Also critical is that the concrete elements in the story—whether the food, the clothes, or the setting itself—are aligned with the time period. This is how a writer can create verisimilitude in a historical story.

Research plays a larger than life role in keeping authenticity on track. My novel, A Ritchie Boy, takes place between 1938 and 1948. Protagonist Eli Stoff, a character inspired by my father, journeys from Vienna to the Austrian Alps, from New York City to Columbus, Ohio. He is trained to be an Intelligence officer at a US Army camp near Hagerstown, Maryland called Camp Ritchie and the reader experiences him in action stationed in an abandoned villa in a Paris suburb called Le Vesinet. He learns all about Shanghai where his cousin Arthur had escaped at the same time Eli left Vienna for America.

This is a photo of my dad in his college ROTC uniform before enlisting.
This framed photo set to the right of my laptop as I wrote A Ritchie Boy.

In my novel of interrelated stories, the reader learns that Eli Stoff is one of thousands of “Ritchie Boys” whose understanding of the German language and culture led them to their undercover work on the European front to help the Allies win World War II. To convey his decade journey, I had to research many discrete facts. For example, I had to research skiing techniques, as well as the particulars of Alpine skiing back in the late ‘30s to write about Eli’s ski trip with classmates to the western Austrian province of Tyrol. I explored the kinds of music the characters might listen to during this time since seven of the twelve stories include different types of music—from classical to big band hits, from bebop to songs from Broadway musicals of the day. I needed to understand the local geography of all locations that stories were set, as well as the cultural norms of that time period. Through both primary and secondary sources, I learned about the details around the arrival and review process at Ellis Island, the life on the Ohio State University campus as the country prepared for war, and the nuances of a professional photographer who is my point of view character in the final story, “The Wedding.”

I found this photo and it helped me to imagine Eli’s parmy buddies at Camp Ritchie-Henry White, Bobby Salter, and Matt Schultz. My dad is second from the right.  I could imagine the camaraderie that was part of their time together.

And, while research is part of all historical fiction, it is important for the historical novelist not to let the facts of history overwhelm the story itself. In a story called “The Interrogation,” Eli Stoff faces a young German soldier who had escaped during the Ardennes Counteroffensive (what we now know as Battle of the Bulge, the last German offensive campaign on the Western Front during World War II). “Across the table, the young soldier remained silent, staring at his hands, which he clasped tightly on the cold aluminum. A lighter, a broken cigarette, and a black-and-red enameled Deutsche Jungvolk membership badge lay to the side.” Here the reader learns that the young prisoner is a member of Hitler Youth. “Eli was trained to ‘understand.’ He’d arrived in Paris in late December, part of a six-man military intelligence team. His orders were simple: arrest all Nazis impersonating Allied officers, put them through rudimentary questioning, write up a report. But something about Malcolm Schlick made this case more complex. Eli couldn’t put his finger on it.” Here we learn what a Ritchie Boy was tasked to do as the story unfolds.

My dad was always smiling even during war. It is how I remember him. 

His resilience and positive nature carries with him throughout his life, and I gave those characteristics to Eli Stoff.

So, in historical fiction, one must strike a balance between history and story by integrating the facts, so that the history lesson is there, and the reader doesn’t even notice.

~

Linda Kass
(credit: Lorn Spolter)

About the novel:

In this moving and memorable novel-in-stories—inspired by her father’s life—Linda Kass shares the little-known account of the Ritchie Boys. Often Jewish German-speaking immigrants, the Ritchie Boys worked in US Army Intelligence and helped the Allies win World War II. Set during the dawn of World War II and the disruptive decade to follow, A Ritchie Boy is the poignant tale of one young immigrant’s triumph over adversity as he journeys from Europe to America, and from boyhood to manhood.

About the author:

Linda Kass began her career as a magazine writer and correspondent for regional and national publications. Her work has previously appeared in Time, The Detroit Free Press, Columbus Monthly, and, more recently, Full Grown People, The MacGuffin, and Kenyon Review Online. She is the author of the historical World War II novel Tasa’s Song (2016) and is the founder and owner of Gramercy Books, an independent bookstore in central Ohio. https://www.lindakass.com/

Old Lovegood Girls by Gail Godwin spans four decades of female friendship

Beautifully evoking a longtime friendship’s transformative power, Godwin traces two women’s intellectual development and life decisions, and how they intertwine, across four decades.

In 1958, Meredith Grace (“Merry”) Jellicoe and Feron Hood are matched as roommates at Lovegood College, a two-year school for women in North Carolina. The daughter of tobacco farmers, Merry has a welcoming personality, and the college dean, Susan Fox, believes she’ll be a comforting influence on the guarded Feron, who had a troubled home life. She’s right. The two become close; both are talented writers, sharing deep conversations on literary approaches and reading each other’s stories. Envious of Merry’s writing fluency, Feron feels she can do even better and uses this emotion to push herself forward.

Old Lovegood Girls focuses on connections rather than competition, though, and in this and other aspects, it gracefully subverts the tropes that pervade fiction about women. Likewise, Lovegood College, one of those old-fashioned, rigid-seeming institutions with longstanding rituals and values, breaks away from stereotype. Dean Fox, for example, is a wonderful character, an open, nurturing administrator with a full inner life. After the girls’ first semester, tragedy forces Merry to return home and take up family responsibilities. She and Feron correspond sporadically and rarely meet, but their friendship is of the type where they know each other’s qualities so well (they stay in each other’s “reference aura,” as Feron expresses it) that they rely on each other as guides through life.

With an unhurried pace that enables characters to develop and mature, the story delves with eloquent wisdom into a wide swath of issues: love, grief, family relationships, the value of storytelling, even (in a way that feels slyly meta) the challenges of writing historical novels. It’s a fine example of introspective fiction, and an ideal read for these uneasy times.

Old Lovegood Girls was published by Bloomsbury this year; I read it from an Edelweiss e-copy and reviewed it for August's Historical Novels Review. I became interested in it after hearing the author interviewed by Jenna Blum at A Mighty Blaze on Facebook Live in May. The historical college setting was enticing, and the discussion about the novel's themes piqued my attention. I also love the cover.

Death in Delft by Graham Brack opens a new mystery series set in the 17th century

Master Mercurius, a young lecturer at the University of Leiden, has joined the ranks of clerical sleuths worth following in historical mysteries. In 1671, his Rector asks him to fulfill a request from the Mayor of Delft to investigate a certain matter on that city’s behalf. They need a man with “a quick wit, a knowledge of God’s law, and abundant energy,” which fits Master Mercurius very well. He is our narrator, and his understated dry humor, combined with practical sensibilities and sincere religious devotion, make his tale infectiously readable.

Following a brief shipboard voyage along the Vliet to Delft, he arrives at the Town Hall and learns about the situation. Three girls, all about eight years old, were abducted from their families. The body of one of them, the unfortunate Gertruyd Lievens, was found buried in a field, a hand-carved cross atop the grave. The two others, a fishwife’s bastard daughter and a rich merchant’s child, remain missing, and with the harsh winter weather, one fears the worst. Mercurius goes about interviewing relevant parties while determining whether the girls, who didn’t know each other, had anything in common aside from their age.

The work gets him interacting with some of Delft’s leading citizens, including logical scientist Antoni van Leeuwenhoek, future father of microbiology, and artist Johannes Vermeer, head of a large, boisterous family. Mercurius makes the rounds of local households for dinner, and visiting Vermeer happily returns us to Girl with a Pearl Earring territory. Mercurius has his own intriguing secret: he’s a Catholic priest disguised as a Protestant clergyman (both careers were so nice, he was ordained twice), which the painter guesses and appreciates. Concisely plotted with well-placed period details, this mystery is just the right length and a promising start to this new series.

Death in Delft was published by Sapere in April in hb and ebook. It's a quick read at 232pp, and the second in the series, Untrue Till Death, is already out. As the cover denotes, it was shortlisted for the Crime Writers' Association's Debut Dagger.  I reviewed it for the latest Historical Novels Review issue. I noted as I was working on this post that a Dutch reader gave it high marks on Amazon for geographic and historical accuracy, including Dutch naming conventions - nice to see.

Allison Montclair's newest historical mystery, A Royal Affair, delves into British royal secrets

In this second diverting Sparks & Bainbridge mystery, the two partners of the Right Sort Marriage Bureau take on a case for a very high-profile client, which leads them into correspondingly high-stakes political intrigue.

It’s 1946 in London, and Iris Sparks, a veteran of secret wartime espionage work, and Gwen Bainbridge, an upper-crust war widow, are several months into their joint venture. While hoping that business picks up sufficiently so they can move into a dreamy new office, they’re approached by Lady Matheson, a cousin of Gwen’s who “works for the Queen in some capacity.” She demands confidentiality before revealing her proposed assignment.

The relationship between HRH Princess Elizabeth and Prince Philip is getting serious, but obstacles stand in their way. A fellow descendant of Queen Victoria and a cousin of Greece’s king, Philip is of sufficiently royal blood, but he has sisters who married Nazis, and his mother, Princess Alice, has a troubled past. Then Lady Matheson reveals a letter she received for Elizabeth which hints at blackmail over mysterious items that Princess Alice left behind on Corfu – but she can’t reveal more details. In effect, Gwen and Iris must vet Prince Philip as a suitor for Elizabeth’s hand, but without drawing attention to the process.

The unintentional detective duo (they solved a murder in their last outing) have plenty of snarky wit, and the repartee flows fast from the outset, whether they’re interviewing a loud-talking female client or ogling the mahogany desks in their hoped-for new office. It's cleverly done, but just when it starts to feel a bit much, the tone becomes more serious as the sleuthing gets underway. Admirers of The Crown and royalty in general should appreciate the details on Prince Philip’s Greek relations, whose backstory of political power, flight, and exile isn’t widely familiar.

Iris and Gwen have a solid dynamic. While they employ their separate talents (the former’s street-smarts, the latter’s insider knowledge of the aristocracy) to further their investigation, they’re also learning from one another. In a continuing mystery series, ongoing character development is key, and Montclair’s latest satisfies on that front.

Each is growing stronger personally, too, as Gwen continues to pursue custody of her adorable young son, and Iris debates how close she wants to get to her new gangster boyfriend. Their own reflections on how they’ve changed are on-point and wryly funny. After they've wrapped up one incident with the police in an amusingly questionable way, Gwen remarks to her partner, “Appalling... we’ve become appalling people, Iris. When did that happen?”

Reading the series opener (The Right Sort of Man) is probably necessary to get the full context of this one, but that’s no hardship at all.

A Royal Affair was published by Minotaur in July; I read it from an Edelweiss e-copy (thanks to the publisher).

The Daughters of Erietown by Connie Schultz chronicles a working-class Ohio family in the 20th century

Pulitzer Prize-winning journalist Schultz’s debut novel is completely absorbing from the opening pages through the finale. It follows a working-class family from the fictional Erietown in northeastern Ohio across the 20th century’s second half. While its situations are familiar – teenage pregnancy, generational conflict, infidelity, women’s stifled hopes – the author renders them unique through characters whose vivid inner lives make them feel as real as any of us.

In 1975, Samantha McGinty heads to Kent State, the first in her family to attend university. In the car with her parents and brother, Sam thinks back on the terrible day in 1969 that broke her family and made her see her father, Brick, in a new, critical light.

Following this hint of mystery, the narrative smoothly moves back in time to depict Sam’s parents as young people facing troubled circumstances. It’s 1956, and petite sixteen-year-old Ellie Fetters, raised by caring, old-fashioned grandparents, loves red-haired Brick McGinty, top scorer for their high school’s basketball team. Brick grows up protecting his exhausted mother from his father’s abuse and plans a future that involves Ellie, a sports scholarship, and escaping their small rural town. Ellie’s pregnancy derails their dreams, transforming Ellie into a housewife and young mother in their new house in Erietown, while Brick works a union job at the electric plant and, over time, starts feeling resentful.

The story shows how patterns from previous generations repeat themselves, despite people’s awareness of them. The historical period emerges through social attitudes and the impact of larger events; the McGintys’ “Jack and Jesus” wall, with its pictures of Christ and President Kennedy, has a somber meaning after JFK’s assassination. This deeply felt saga takes on tough subjects with profound honesty and carries readers along with the multifaceted, flawed characters as they move through and deal with life.

The Daughters of Erietown was published by Random House in June, and I'd reviewed it from NetGalley for August's Historical Novels Review. I haven't seen it mentioned on many historical fiction sites as yet and would encourage readers of family sagas to go check it out.

Facts in Fiction: Truth in Estelle, a guest essay by Linda Stewart Henley

Welcome to Linda Stewart Henley, whose novel Estelle, a multi-period novel that focuses on Edgar Degas' stay in New Orleans, is out today.

~

FACTS IN FICTION: TRUTH IN ESTELLE
Linda Stewart Henley

When most people think of Edgar Degas, what comes to mind are images of ballerinas. So when I went to the local library to find books about the artist, I was not surprised to find that most of them turned out to be children’s picture books with reproductions of dancers. But the book I planned to write about Degas wasn’t about those subjects. I wanted to write about him when he was thirty-eight, not yet famous, during his five-month visit to New Orleans to visit French Creole relatives in 1872-73.

I ordered piles of books. Books about Impressionist painters, Creole society in New Orleans, Mardi Gras, the architecture on Esplanade Avenue, Louisiana cooking, and Kate Chopin’s 1899 novel The Awakening. I found few volumes on the subject of Degas’s time in New Orleans until I discovered one absolute gem. It came from AbeBooks and cost an unbelievable ninety-nine cents plus three dollars postage. This book, published by the New Orleans Museum of Art entitled Degas and New Orleans: A French Impressionist in America by Gail Feigenbaum and Jean Sutherland Boggs, proved indispensable in providing facts that I wanted for my novel.

A well-researched and documented catalogue written by curators and art historians to accompany a 1999 exhibit, it provided the threads I needed to tell my tale. As I read essays written by the contributors to the catalogue, I learned not only about Degas’s work but also about his family members, fourteen of them, who lived in New Orleans at the time. Degas’s French Creole mother, who died when he was thirteen, had been born there. Estelle, his cousin, was married to his brother René. This was his first and only visit to America and it had a profound effect on him. While there, he painted portraits of the family, but he thought those unimportant and hardly worth his time until he finished A Cotton Office in New Orleans, a large painting depicting his family’s cotton business, which is considered a masterpiece.

A Cotton Office in New Orleans, Edgar Degas (1873)

Although Estelle is a work of fiction, I tried to build the story around many of the true events surrounding the family’s life and times. Surprising to me was the number of buildings and businesses from Degas’s time that still exist today: Arnaud’s and Antoine’s restaurants, the Café du Monde, and the house on Esplanade Avenue where his family lived.

The lavish lifestyle enjoyed by the French Creoles has long since disappeared and the street with fine buildings fallen into disrepair, but if you walk today along the wide boulevard with its neutral ground in the middle planted with spreading live oaks and magnolias, you can almost hear the streetcar rumbling along the tracks and breathe the air of bygone days. New Orleans is a city you don’t forget. The fact that Degas was there, and painted his family’s portraits, can only add to its allure.

~

Linda Stewart Henley is an English-born American who moved to the United States at sixteen. She is a graduate of Newcomb College of Tulane University in New Orleans. She currently lives with her husband in Anacortes, Washington. Estelle, her first novel, is published by She Writes Press.

Spindle and Dagger by J. Anderson Coats depicts a woman's necessary charade in 12th-century Wales

Coats’ newest historical novel is a penetrating portrait of women’s resilience and how they work through violent trauma. It’s based around a historical incident likely unfamiliar to its intended young adult audience: the abduction of Nest of Deheubarth by her second cousin Owain, Prince of Powys, during the increasing conflict between Welshmen and the land’s Norman invaders. Nest was married to Gerald of Windsor, leader of the Norman forces.

The tale’s narrator is Elen, a richly complex fictional character. In 1109, Elen has solidified a place for herself in Owain’s warband as his nightly bedmate. Three years earlier, Owain and his men had attacked her family’s steading, killing her two sisters. Seeing no other alternative for survival, Elen healed Owain of his injury and declared—falsely—that Saint Elen would faithfully guard Owain’s life if he always kept her namesake close by. Owain believes in the saint’s protection, but his men are more dubious.

Tension remains high, evoking the political strain, and Owain augments it after his penteulu (right-hand man) is killed by the Normans, and he captures Nest and her three young children in revenge. This angers his father, Cadwgan ap Bleddyn, who fears paying the price for his hotheaded son’s act. Elen faces her own battles. The flashbacks to her earlier ordeal are delicately handled, and even now, Elen’s mind vies between the status quo—staying with Owain and remaining alive and cared for—and wanting to take a dagger and stab him. Elen desperately wants a female ally. While Owain’s stepmother, Isabel, proves hostile to the idea, Elen sees how Nest bravely endures her captivity and envisions how to escape her longtime charade.

This gritty tale of feminine strength deserves attention from all medieval history enthusiasts, from YAs through adults.

Spindle and Dagger was published by Candlewick in 2020; I'd reviewed it for August's Historical Novels Review based on a publisher-supplied ARC.

Some other notes:

- This novel is classified as YA, and the heroine is seventeen, I believe, but the themes are hardly juvenile. It would work well as a crossover novel, in the vein of Julie Berry's The Book of Dolssa and Elizabeth Wein's Code Name Verity.  Along these lines, the cover art is attractive, yes, but it's clearly aimed at teen readers. Adult readers of historical novels shouldn't be dissuaded from picking it up by the art or the marketing category.

- I've been fascinating by the story of Nest of Deheubarth ever since reading Eleanor Fairburn's 1966 novel The Golden Hive, a biographical novel about her.  Nest/Nesta has been called the "Helen of Wales" as she was a woman whose beauty supposedly drove men to war, but the reality was likely far different than the romanticized legend. Soon after I'd reviewed The Golden Hive for this blog in 2010, I'd received an email from the author, which was a nice surprise. As I recall, she had been debating finding a publisher to bring her work back into print, but this never happened.  She died in 2015.  I'd still love to see her work made more widely available.  Getting back to the subject at hand, when Spindle and Dagger became available for review, I knew I'd have to read it.

- The author's earlier The Wicked and the Just is also set in medieval Wales, specifically the 13th century. It's on my list to read.

- You can find Spindle and Dagger on Goodreads, but be aware that many readers gave it a low rating because the e-ARC had more than the usual number of typos.

The Summer Fields by LP Fergusson, romantic adventure set in the 18th century

Fergusson’s unique historical romance reads like many novels in one: it patches together a creepy gothic story, horror fiction, and entertaining historical romantic adventure. In Radnorshire, Wales, in 1704, dairymaid Elen Griffiths is summoned from her father’s cottage by a local physician, Dr Argyll, who needs someone to tend to Viscount Mordiford at Duntisbourne Hall during his bout with smallpox. Elen is immune from the “red plague,” having had cowpox before, and her education means she’s well suited to be an aristocrat’s caregiver.

Mordiford is disagreeable and the Hall exceedingly sinister, and Elen’s hopes of broadening her horizons vanish in the face of arduous nursing tasks and enforced isolation. Nearly a quarter of the novel takes place under these circumstances, which feel intensely claustrophobic. As Mordiford recovers his strength and sense of wit under Elen’s care (the methods are creatively unorthodox), Elen faces danger from another avenue. She befriends valet Ned Harley, and their connection turns romantic, but the Hall hosts debauched gatherings, and this time it’s Mordiford’s turn to save Elen from harm.

Following unusual circumstances, Elen boards a ship for The Hague with Dr Argyll, acting as his nurse as he travels with the army during the Duke of Marlborough’s campaign against the French. By then, she and Mordiford have acknowledged their attraction, although she despairs of finding him again on the war-torn Continent, and any shared future seems doubtful.

Fergusson brings to life Marlborough’s campaign up to his victory at Blenheim from the viewpoint of medical personnel, who deal with the traumatic aftermath of battle. The ending is too neat, and Elen and Mordiford have few chances to spend time together when he’s healthy, but it’s a well-researched story, particularly regarding early 18th-century medical treatments. Recommended for romance readers wanting a change of pace.

The Summer Fields was published by the digital publisher Canelo in the spring; I reviewed it for May's Historical Novels Review from a NetGalley copy.  Find it on Goodreads here.

Book review: The Secret Music at Tordesillas by Marjorie Sandor

“Inside one note, many more are hidden.” For her first novel, National Jewish Book Award winner Sandor imagines the life of a converso musician in the retinue of the Spanish queen Juana I of Castile.

After his sovereign lady’s death during her long confinement at Tordesillas in 1555, Juan de Granada tells his richly poetic account to two inquisitors of the Holy Office charged with finding secret Jews. Juana was never meant to be her parents’ heir, and her unrequited devotion to her handsome husband and others’ desire for control of her realm prompt rumors about her mental state. Her lady-in-waiting Inés de Castro, who becomes Juan’s love interest, is a complicated woman with dangerous secrets.

Infusing her work with elements from a unique confluence of cultures and religions in Spanish history, Sandor vividly contrasts people’s public roles with their covert beliefs and desires. At times, the language’s abstractness may have readers longing for greater clarity, but Sandor’s prose is seductive, akin to musical notes expressed on the page, and she presents a new, affecting view of a tragic royal figure.

The Secret Music at Tordesillas was published by Hidden River Arts as a paperback in June; this review first ran in Booklist Online this week. The book was the first winner of the publisher's Tuscarora Award in Historical Fiction. I recognize some other authors' names among the finalists and semifinalists and hope to see their books in print one day, too.

A gallery of 12 forthcoming historical novels for summer and autumn 2020

I don't know about you, but I'm looking ahead to late summer and fall reads. Forthcoming in the next few months are a bumper crop of historical novels, ranging from new releases by longtime reader favorites to debuts from talented newcomers.  While WWII settings are still holding steady in popularity within the genre, there's plenty on offer for readers seeking to expand beyond this time frame and the 20th century in general.  Below are just a dozen among many that caught my attention, in order by author surname.

Cathy Marie Buchanan moves back in time to pagan 1st-century Britain with Daughter of Black Lake (Riverhead, Oct.) while Annette Saunooke Clapsaddle's Even As We Breathe (Univ Press of Kentucky, Sept.) follows a young man from the Cherokee Nation into WWII-era intrigue. The Glass House (Flatiron, Sept.), the final novel from the late Scottish novelist Beatrice Colin, tells a story of secrets and friendship in early 20th-century Scotland.

The Evening and the Morning (Viking, Sept.), the highly anticipated prequel to The Pillars of the Earth, Ken Follett's best known epic, focuses on the English settlement not yet known as Kingsbridge around the time of the first millennium CE. Another series entry, Dark Tides (Atria, Nov.) by Philippa Gregory, picks up her heroine Alinor's story, following her trials in Tidelands, in Restoration-era London. The Mermaid of Jeju (Alcove, Dec), Sumi Hahn's debut novel, centers on the haenyeo, female deep-sea divers, on Korea's Jeju Island after WWII.

There are three debut novels in this second collage. Denise Heinze's The Brief and True Report of Temperance Flowerdew (Blackstone, Sept.), the first of these, takes its name from the historical woman who married two Governors of Virginia in the early 17th century. Confessions in B-Flat by the prolific Donna Hill (Sideways, Nov.), is a love story taking place in New York during the 1960s civil rights movement and Vietnam War years. For The Deadly Hours (Sourcebooks, Sept.) newest in a growing collection of multi-author collaborative projects, Susanna Kearsley, C.S. Harris, Anna Lee Huber, and Christine Trent trace the story of a mysterious gold watch and those it affects, beginning in the 18th century.

Two more debuts: Asha Lemmie's Fifty Words for Rain (Dutton, Sept.) has the unique viewpoint of a young girl of African-American and Japanese heritage in post-WWII Japan, and her search for her rightful place in a world that continually rejects her. The Company Daughters (Bookouture, Oct.) by Samantha Rajaram journeys along with its two heroines on their voyage from Amsterdam to marry settlers in the Dutch East Indies in the early 17th century. And, last alphabetically, Alice Randall's Black Bottom Saints (Amistad, Aug.) is set amid Detroit's historic Black Bottom neighborhood in the 1930s-40s and centers on the stars of this locale's famous art and culture scene.

The original Mrs. Robinson's story: Brontë’s Mistress by Finola Austin

Finola Austin’s perceptive debut imagines the first-person viewpoint of Lydia Robinson: the woman notorious in Brontë lore for supposedly having seduced her son’s tutor, Branwell Brontë, with the end of their affair leading to his dissolution, depression, and early death. But is this a fair assessment?

Among historical fiction subjects, this is about as “high concept” as it gets. It’s surprising no other novelist has previously claimed her as a protagonist, and it’s also fortunate that this character – the original Mrs. Robinson – was taken on by a writer capable of doing justice to this troubling, baggage-laden historical figure. 

The main setting is Thorp Green Hall in Little Ouseburn, a village not far from York, beginning in 1843. Having lost her beloved youngest daughter and her mother in close succession, Lydia is overcome by grief. With her twenty-year marriage to Edmund Robinson having gone cold, her teenage daughters occupied with their own concerns, and the family governess (the overly serious Anne Brontë) spurning any hope of friendship, Lydia feels like nobody sees her for herself. Even her own name, in a sense, has been supplanted, as she shares it with her pretty eldest daughter.  

When Miss Brontë’s flame-haired poet brother, Branwell, appears on the scene to tutor Lydia’s son, Ned, their shared interests in music, theatre, and literature create a spark between Branwell and Lydia, even though he’s twenty-five, while she’s eighteen years older.  Their romantic encounters demonstrate Austin’s skill as a writer; there’s an awkwardness about them that evokes less of a grand, perfect passion than the result of two people’s desperate and individual cries for attention.  Both come alive as real people with many flaws and rough edges, between Branwell’s neediness and alcoholism and Lydia’s selfishness, especially since her daughters are of an age when they need a mother’s loving guidance. 

Rather than developing a story about Lydia’s downfall and redemption, which would feel both simplistic and false, Austin creates in Lydia a multifaceted portrait of an unhappy, neglected wife and mother whose passionate nature is suppressed by everyone around her: her distant husband, her overbearing mother-in-law, and society as a whole.  Once she begins acting on her desires, though, she discovers she wants more from a partner than what Branwell can give. At the same time, alas, the rumors of adultery become impossible to contain. Lydia’s questionable choices make her difficult to admire, while at the same time, one can’t help but hope she’ll find fulfillment. One can also appreciate how Lydia's impressions of all her relationships shift over the course of the story, as she looks back on what each of them brought her.

The language and dialogue have a Victorian feel without seeming archaic, and the characters’ social milieu reflects the period, too.  Lydia Robinson may be best known as “Brontë’s mistress,” but as Austin shows, she's much more than this. In fact, one of the novel’s greatest accomplishments is its moving illustration of how women are diminished when defined by their relationships to men. 

Brontë’s Mistress was published by Atria this week (I reviewed it from an Edelweiss copy).

Another quick note: comments re-enabled

Comments are now enabled as before. My attempt to restrict them had the unfortunate effect of turning off commenting altogether for most readers; the Blogger platform allows for few choices in how to configure it. As for the spam, it's back, but I'll continue dealing with it while exploring other options for controlling it.  Thanks for your understanding!

Passing Fancies by Marlowe Benn, a Jazz Age mystery set amid the Harlem Renaissance

The title of this sophisticated second entry in the Julia Kydd mystery series (after Relative Fortunes) is cleverly apropos. It’s set in Manhattan during the freewheeling Jazz Age, circa 1924, which conjures up images of frivolous, fun-loving pursuits, but here, “passing” also refers to racial identity and crossing the color line.

Julia, a wealthy 25-year-old recently recovered from the near loss of her inherited fortune, is a bibliophile with ambition. She dreams of expanding her small private press, and for this, she needs authors.

At a publishing soiree, she meets the tall, fair Eva Pruitt, an up-and-coming novelist, and they develop a close rapport. Later, Julia is startled to learn that Eva is Black; Eva’s debut, it’s implied, will be a roman à clef about her experiences as a Harlem nightclub performer. When Eva’s manuscript (she only had one copy; one can sense all authors cringing) goes missing, and her boss is found dead, Eva’s the most likely suspect, but Julia can’t believe she did it.

Set amid the Harlem Renaissance, the themes of this novel taking place nearly a century ago are also unerringly modern, including police brutality, African American writers’ difficulties with the publishing industry, and white blindness to racial inequities. Eva is a well-rounded character with a complicated past, though her friendship with Julia blossoms too swiftly. Those enamored of fine bindings and quality fonts can indulge in their passions along with Julia, and language aficionados will appreciate the cultured writing.

As with the previous book, Julia’s one-time nemesis and half-brother, the urbane Philip, who helps to solve puzzlers for the police, is probably the most interesting character of all. He and Julia make a good investigating team, a revelation Julia slowly catches onto.

Passing Fancies was published by Lake Union in 2020 (I reviewed it from NetGalley for August's Historical Novels Review).