Michelle Cameron's Babylon illuminates life during the Jewish exile in ancient Babylon

Babylon is engrossing from start to finish. Michelle Cameron’s novels illustrate the lives of the Jewish people (especially women) at times and places rarely explored in fiction. I’ve enjoyed The Fruit of Her Hands (13th-century Europe) and Beyond the Ghetto Gates (Napoleonic-era Italy), and this one is even better.

The story begins in 586 BCE, as Chaldean soldiers in the army of Nebuchadnezzar, Babylon’s mighty ruler, overtake the prosperous farm outside Jerusalem where a young woman named Sarah lives with her parents, brother, and cousin. After her other relatives are killed, Sarah and her cousin Reuven are forcibly marched, along with numerous other captives, on the lengthy journey to Babylon. Some of the enslaved Judeans are chosen to be servants at the royal palace; others are settled on farms, with orders to grow specific crops. The characters undergo difficult ordeals, presented unflinchingly yet with great compassion. Sarah always yearns for the day she’ll see her farm again and keeps faith that the Judeans will be allowed to return. However, while they preserve their customs and faith in this very foreign land, there’s no denying the allure of the dazzling riches at court.

Babylon spans over eighty years and three generations, with genealogical charts in the opening pages for the novel’s three principal families: Sarah and her lineage, the Babylonian royals, and the people who take up residence on the farm Sarah was forced to abandon. While I love that the charts exist, I didn’t consult them until I was done, since I didn’t want to know in advance which relationships would be forming. This is an epic novel, and Cameron has mastered the art of moving through a wide swath of time without choppiness and without losing readers’ emotional connection to the characters. And the characters themselves are a colorful and interesting bunch, including vain and power-hungry princesses, farmers, talented musicians, Biblical prophets, and a dedicated scribe who chronicles happenings for posterity.

Individual Judeans and the people as a whole work through questions relating to assimilation – intermarriage, adoption of a new land’s customs and religious rituals, and more – but don’t find simple answers. It’s altogether an immersive tale, told with an underlying sense of warmth, about resilience during adversity, family, faith, and how people instill the meaning of home in their daily lives even while far away.

Babylon was published last year by Wicked Son/Post Hill Press; I read it from a personal copy.

Ten more recent indie-published historical novels to check out

Here are ten more indie-published historical novels worth investigating. It was great to see so much interest in my initial list of ten titles - thanks for all the feedback and shares.  Because of a Blogger quirk, the cover images below got uploaded in reverse alphabetical order by author, which I'm keeping in order to switch things up a bit. These novels feature many historical settings you'd be hard-pressed to find elsewhere in fiction.

Peter Young, the title character in Tvordi's debut, was a highly respected scholar who sounds like he was a decent overall fellow, too. As tutor to the young Scottish king, James VI, Peter's political skills and patience are tested when James's attractive French cousin, Esmé Stewart, arrives at court. June 2024. 

Australian writer A. M. Stuart's Harriet Gordon mystery series, set in early 20th-century Singapore, began with Berkley and is continuing via indie publishing. This fifth entry has her looking into a schoolgirl's death, complicating her relationship with her beau, a police inspector. Oct. 2024.

I've read and reviewed all of Elizabeth St.John's full-length historical novels, so I preordered The King's Intelligencer as soon as it went online. They're all well-researched, beautifully told stories based on people from her own family tree; many of the St.Johns played prominent roles in English history, though you may not recognize their names. This entry, standalone but connected to her earlier The Godmother's Secret, takes place in the 1670s as bones of young children (the lost princes?) are discovered in the Tower. October 2024.

S. K. Rizzolo has contributed guest essays here before, so you may recognize her name from that as well as from her Regency mystery series from Poisoned Pen Press. Safe in Death begins a new series featuring Esther Hardy, who turns amateur sleuth in Victorian England after a young woman's terrible murder. November 2024.

 

The Pirate's Physician is a companion standalone novella to Maroney's Sea and Stone Chronicles, set in the 15th-century Mediterranean world. A female medical student boards a ship to escape an unwanted marriage. Pirates and romantic intrigue in a setting you don't often see in fiction. I first discovered Maroney's work via the Historical Stories of Exile anthology. September 2024.

Described as "Gangs of New York for women," Battle Annie is based on Annie Walsh, a brick-hurler and gang leader active in the gritty world of railroad strikes on the streets of NYC's Hell's Kitchen in the late 19th century. She sounds like quite a character!  Annie and her ward, an orphaned guttersnipe, go on the run after a false murder accusation. I'd interviewed the author about her excellent novel Cinnamon Girl last year. Sept. 2024.

Susan Higginbotham always chooses interesting subjects for her biographical novels, and her research is thorough; so much so that in this case, a peer-reviewed journal article resulted from her new discoveries about the title character and her family. The Queen of the Platform stars Ernestine Rose, a Polish woman of Jewish heritage whose surprising path led her to become a noted public speaker and early women's rights activist in early America. I've read it and recommend it.  March 2024.

Any Hamilton fans here?  American Harlot reveals the backstory of Maria Reynolds, whose affair with Alexander Hamilton became early America's first major political sex scandal. Her tale is one of resilience and survival. I first read about this novel in Stephanie Dray's author newsletter. Sept. 2024.

Opening in France in 1793, The Greatest Thing evokes the first-person voice of a historical person who deserves more attention. Louis-Benoît Zamor was enslaved as a child and given as a "gift" to Madame du Barry, the last official mistress of Louis XV, King of France. This is the first in a trilogy; one additional novel has been published so far. November 2023.

Lexie Conyngham is an indie author from the Scottish Highlands whose books have been recommended on the CrimeThruTime e-list often. She has multiple historical mystery series, set between early medieval times and the 20th century, incorporating detailed research and dry wit. This first series entry follows Dr. Robert Wilson on his travels throughout Europe during the Regency era, where he encounters crimes. November 2023.

Jennifer S. Brown's The Whisper Sister is a fabulous tale of Prohibition-era NYC

In flapper-speak, a “whisper sister” was a female barkeep during Prohibition, a daring woman who kept booze flowing for eager customers in underground establishments. A more unlikely career choice could hardly be imagined for ten-year-old Malka Soffer when she arrives at Ellis Island in 1920 with her Mama and older brother, having traveled from Ukraine to join her father in New York after a long separation.

Her Papa seems barely recognizable without his long beard and yarmulke, and at school she gets a new American name: Minnie. Remarkably, her story of transformation, assimilation, and blood and chosen family never loses its believability through many sudden plot twists.

As with her debut, Modern Girls, Brown has a confident hand with character, and Minnie has vulnerabilities and a deep emotional strength. Young Minnie soon learns that her Papa has mysterious sources of power through connections to organized crime (though that phrase is never uttered), and when he buys a soda shop, she gleans it’s a front for a bar. She’s right – and rapidly falls in love with the unprepossessing joint on Baxter Street. Some years later, awful circumstances compel her to take over the place herself, leading her ever deeper into excitement and danger, to her brother Max’s dismay.

Minnie’s two spheres of existence feel immediate and real: the strong Jewish traditions her Yiddish-speaking Mama upholds at home, versus the alluring world of the speakeasy, where Minnie crafts original drinks and socializes with an affable trio of regulars. Brown pulls no punches in illustrating the era’s prejudices and violence, which was brutal and often premeditated. The prologue generates instant intrigue with a magnificent (and suspenseful) opening scene that repeats later on. A bravura performance, led by an original heroine who takes risks in bending rules.

The Whisper Sister (a phrase I'd never heard before and makes for a great title) was published by Lake Union in September, and I covered it initially for November's Historical Novels Review.  I also enjoyed the author's interview for Lilith Magazine, in which she discusses the novel's background and themes, Jewish identity, and more.

Signe Pike's The Shadowed Land delves into the possible Scottish roots of Arthurian legend

Personal transformations echo throughout Pike’s intensely felt third novel (following The Forgotten Kingdom, 2020) in an ongoing series about sixth-century Scotland’s political and religious conflicts. Grounded in intriguing new research, it brings to life the little-known stories of Languoreth of Strathclyde, a powerful early medieval queen, and Artúr mac Aedan, a war leader and prince of Dalriada—potentially the true, historic King Arthur behind the legends.

After the Battle of the Caledonian Wood, where the brutal Angles were defeated, the characters endure separate tests of fortitude. Languoreth, a pagan follower of the Old Way, grudgingly endures a treacherous former bishop’s presence in her lands while Artúr returns to Dalriada at his father’s behest.

The book’s title references the Pictish kingdom, where Languoreth’s daughter Angharad travels to hopefully apprentice herself to the druid Briochan. A valiant young woman with deep emotional reserves, Angharad undergoes physical and mystical trials during her quest.

There are perhaps too many viewpoints, but Pike enthusiastically transfers her affinity for ancient Celtic cultures to readers, and her interpretation of the Arthurian canon exudes originality.

The Shadowed Land was published this week by Atria/Simon & Schuster, and I reviewed it initially for Booklist. I had previously reviewed book one, The Lost Queen, and book two, The Forgotten Kingdom, but since the previous book came out over four years ago, it took some time to reacquaint myself with where the characters left off.  You really don't want to start with this book. Originally the series was planned as a trilogy, but the story doesn't end here.  There will be one more book to come.

Critics pick their favorite historical novels of 2024

It's not even December, and media outlets have been proclaiming their Best Books recommendations for 2024. I feel a bit sorry for those novels slated to come out next month! (Although to be fair, these may be included in roundups by pre-publication review sources.)

Here are the lists I've come across thus far.

As always, NPR's Books We Love crosses subgenres, age categories, and time periods (even ranging up through the 1980s) to present their annual collage of favorite historical novels: 44 of them.  If you prefer to see a list rather than a cover gallery, that's available too.

Writing for The Times (London), critics Nick Rennison and Antonia Senior pick the 10 best historical novels for 2024. This is paywalled, sorry, though if you have Apple News, you can read the article through the app. Some books included here that I haven't seen on other lists are Irish writer Kevin Barry's The Heart in Winter (set in 1890s Montana), Mary Horlock's The Stranger's Companion (1930s on the Channel Island of Sark), Hesse Phillips' Lightborne (Christopher Marlowe), and Rosanna Pike's A Little Trickerie (Tudor times).

The Washington Post (gift link) makes their picks, including Leonard Pitts, Jr.'s 54 Miles, Ashton Lattimore's All We Were Promised, and The Phoenix Crown by Kate Quinn and Janie Chang, which is on NPR's list too.

The top 10 list in The Independent has been out for a few weeks, and is very different from that in the compilation above. Overlapping titles include Robert Harris's Precipice (which I also read and enjoyed, though it wasn't my favorite of his) and Tracy Chevalier's The Glassmaker.

The final round of Readers' Choice Awards at Goodreads is out, with ten books vying for the title (in theory). Voting is only open for the next day and a half. Just because I'm curious how closely popularity will correlate with the ultimate rankings, here they are, listed by the # of reviews posted in the system as of today:

The Women by Kristin Hannah - over 90K reviews

The Frozen River by Ariel Lawhon - 19,400+ reviews

James by Percival Everett - 13,800+ reviews

The Briar Club by Kate Quinn - 6700+ reviews

By Any Other Name by Jodi Picoult - 5300+ reviews

Husbands and Lovers by Beatriz Williams - 4600+ reviews

Anita del Monte Laughs Last by Xóchitl González - 3800+ reviews
The Lion Women of Tehran by Marjan Kamali - 3600+ reviews

The Seventh Veil of Salome by Silvia Moreno-Garcia - 1200+ reviews

The Booklover's Library by Madeline Martin - 800+ reviews

Some books with higher #s of reviews were eliminated after the semifinals, so we'll see how this ends up.

Still to come: the New York Times list, which should be out in mid-December, and Library Journal's lists, out in their December issue.

Ten recent indie-published historical novels to check out

If you aren't paying attention to indie-published historical fiction, you don't have a full picture of what the genre has to offer to readers today. You're also missing out on some wonderful stories. The best of these novels, as with those from mainstream publishers, have excellent writing and editing as well as professional cover art. And with indies, authors are organizing all this on their own, plus handling their own publicity and marketing.

How did I go about choosing these? Some are by authors who have had previous novels out with big presses, so I've been following their writing paths for years. The historical fiction market is so focused on specific eras and trends that when I hear about a new novel by a writer who turned to self-publishing after a successful career with bigger presses, my ears perk up. (While not the focus for this post, this holds true for small presses too.)  These books frequently incorporate less familiar topics, settings, and approaches, and as a reader, I appreciate greater variety.  Others listed below came to my attention through reviews and recommendations from trusted sources, or because I've read and enjoyed previous books by their writers. This is the first of two (at least) posts.

Susan Wittig Albert has published a great many novels (mysteries) with NY presses, both on her own and co-written with her husband. Most of the books in her Hidden Women series of biographical novels, though, have been indie-published, including Loving Eleanor. Her latest, Someone Always Nearby, centers on Maria Chabot, a prominent promoter of Native American art, and a good friend to Georgia O'Keeffe. (November 2023)

The first novel in Elizabeth R. Andersen's Alewives of Colmar series was great fun. In Sleight of Hand, the followup to The Alewives, the three women brewers from 14th-century Alsace have another mystery on their hands when an unfortunate item shows up in one of their cooking pots.  (April 2024)

Pamela Belle's 17th-century Herons of Goldhayes saga, written in the '80s, still holds a treasured place on my bookshelf. The books in her Wintercombe series, following a Puritan woman and her family during the English Civil War, are also longtime favorites. A Parcel of Rogues, her first new novel in over 25 years, incorporates a different style and setting: the decadent, dangerous world of London and other English cities in the early 18th century. (June 2024)

Kinley Bryan's debut Sisters of the Sweetwater Fury opened my eyes to little-known Great Lakes history and the roles of women at the time. For her second novel, she moves back in time to the Civil War, following two millworker sisters forced to begin new lives far away from their Southern home. (May 2024)

The Lioness is biographical fiction about Jeanne de Clisson, known as the Lion of Brittany, a 14th-century privateer seeking justice for her late husband. The author has also written The Empress, a tie-in to the Netflix series of the same name about Empress Elisabeth of Austria, plus novels for younger readers. (November 2024)

Anne M. Kennedy's debut is historical adventure/suspense. Based on its first three chapters, it took home the silver medal in the Adventure category of the Historical Novel Society's First Chapters competition earlier this year. Opening in 1890 in the oil-rich capital of Azerbaijan, it follows a man's quest to solve a mystery involving his family, a jeweled artifact, and an encoded message. (September 2024)

Third and latest in her Cape May Historical Mystery series of standalone novels, The Night the Light Went Out is a locked room mystery of sorts set within a lighthouse during a violent storm along the New Jersey coast in the 1820s. The author also writes cozy mysteries and gothic suspense as Amy M. Reade. (August 2024)

After author Michelle Moran recommended this novel on social media, I had to go look it up. Tana Rebellis' novel is first in a duology about Julia the Younger, a Roman noblewoman and Emperor Augustus' granddaughter, who finds herself sent into exile after becoming pregnant with an illegitimate child.  (June 2024)

Tracey Warr specializes in historical fiction set in medieval times; previously published by Impress Books (UK), she has reissued her earlier novels under her own imprint along with new material, including this new book. Love's Knife, first in a series, introduces a female troubadour (trobairitz) who investigates a murder at the court of 11th-century Toulouse. (September 2024)

The Anny of the title is Anne Thackeray, oldest daughter of Vanity Fair's author, as she begins finding her own place in the world, amid family obligations and her own love affairs, after her father's death. Barbara Wright won the Spur award from Western Writers of America for her 2003 novel Plain Language. (June 2024)

The opening round is up for the 2024 Goodreads Choice Award for Historical Fiction

Voting for the opening round in the 2024 Goodreads Choice Awards is open for the next week, through November 24th. On the ballot for historical fiction are 20 titles, which appear in a random assortment.

I've read only two of these, The Great Divide and The Frozen River.  Much as I enjoyed these two, I'm going to take a wild guess that the ultimate winner for 2024 will be Kristin Hannah's The Women.  It has a 4.63 rating and, most importantly, 88,160 reviews already on Goodreads.  Nothing else comes close in terms of review numbers. But even though the novels on this grid with fewer than 1000 reviews don't stand much of a chance against very popular books, Goodreads remains a very useful tool for book discovery, and if you want more readers to get their eyes on a book that you highly recommend, have your say and vote for it, in hopes that it will make it through to the final round.  

Kristin Hannah's historical novels always fare well in this competition, but her previous novel, The Four Winds, lost to Taylor Jenkins Reid's Malibu Rising (which had more overall reviews) in 2021. 

Also, take a look at the initial picks for debut novels, since you'll find historicals there that didn't make the main category, like Ashton Lattimore's All We Were Promised, Ferdia Lennon's Glorious Exploits, Eve J. Chung's Daughters of Shandong, Elba Iris Pérez's The Things We Didn't Know, and O. O. Sangoyomi's Masquerade.

In the fantasy category are Rose Sutherland's A Sweet Sting of Salt, set in 1830s Nova Scotia; Katherine Arden's WWI novel The Warm Hands of Ghosts; Leigh Bardugo's Spanish Golden Age fantasy The Familiar; Yangsze Choo's The Fox Wife, set in early 20th-century Manchuria; and Ann Liang's mythological Chinese retelling A Song to Drown Rivers.  There's strong reader interest in historical fantasy genre-blends. The horror category has historical novels in it too, namely Del Sandeen's This Cursed House and C. J. Cooke's The Book of Witching.

I don't vote for books I haven't read, so my choice for historical fiction went to Ariel Lawhon's The Frozen River.  We'll see how far it gets in the process. New books frequently get introduced for the final round, so I'll be curious to see those, too.

Rachel Blackmore's Costanza reveals the real woman behind a groundbreaking 17th-century sculpture

She has gazed out at viewers for nearly four centuries: eyes wide, lips parted, hair unkempt, expression determined and sensual. The marble portrait of Costanza Piccolomini, one-time mistress of Baroque master Gianlorenzo Bernini, appears so lifelike it could almost speak, but as Rachel Blackmore reminds us in her exceptional debut novel, the real woman deserves a voice that stands independently of the male regard.

In 1630s Rome, Costanza runs a respectable household as the wife of artisan Matteo Bonucelli, a kind but less-than-amorous man. Matteo’s new commission for St. Peter’s Basilica brings the couple into the company of its chief architect, “Il Cavaliere” himself. Attracted by her boldness, Bernini offers to tutor Costanza in art interpretation, events that soon see them tumbling into an affair, a situation her husband—whose interests lie elsewhere—willingly tolerates.

Heady with passion and her new elevated position in society, Costanza sets aside the warnings from Bernini’s old rival and her childhood best friend. Her first encounter with the marble bust Bernini surreptitiously crafts in her image is a masterly scene, showcasing the author’s descriptive prowess alongside Costanza’s realization about her lover’s character, how he views her, and what it means for her reputation.

History records the terrible harm that Bernini inflicted on Costanza, foreshadowed in the chilling prologue, but here the narrative is all hers, revealing in intimate fashion how she reacts to this shocking betrayal and endures a painful loss of pride before gaining sufficient wisdom to come into her own.

This novel serves as a necessary corrective to the historical tendency to glorify talented but violent men while leaving their victims as footnotes. Costanza proves especially powerful since it’s based in fact, and because Blackmore carefully exposes the power differential between the sexes from multiple angles.

Rachel Blackmore's Costanza was published by Renegade Books, an imprint of Dialogue Books/Little Brown UK, in August, and I reviewed it from a personal copy for November's Historical Novels Review. For US-based readers, it's available as an ebook (currently 99 cents on Kindle, for however long this lasts).

Also for the same HNR issue, Katherine Mezzacappa interviewed the author and Harriet Constable (The Instrumentalist) alongside a discussion of her own new novel, The Maiden of Florence, about how they all brought little-known historical Italian women back into the spotlight.  See also Blackmore's piece for The Observer about the real history behind the sculpture of Costanza.

In her author's note, Blackmore explains how she was spurred to write this novel out of fury over the murder of Londoner Sarah Everard in March 2021, and years of "endemic violence against women," as she writes, that has long gone unaddressed. Costanza's story, fortunately, is also one of survival, and if you're curious to learn more about this woman from history's shadows, I recommend it.

Eleanore of Avignon depicts a young woman's courageous path in medieval France

The Provençal city of Avignon in 1347-48 is rife with tension and drama, with the Catholic popes in residence, Queen Joanna of Naples seeking exoneration from her first husband’s murder, the arrival of the plague, and a stressed-out, decimated populace looking for someone to blame. In her debut, DeLozier takes full advantage of her setting’s potential with her exciting story. It’s a quest novel in a sense, encompassing a young woman’s mission to fulfill her calling as a healer while holding her family together in a perilous time.

Eleanore (Elea) and Margot Blanchet are the twin daughters of a papal notary and his late spouse, a talented midwife. One day while seeking herbal remedies outside the city gates, Elea runs into Guy “Guigo” de Chauliac, a man of modest birth who rose to become Pope Clement’s personal physician.

Through a combination of chance and clever negotiations, Elea becomes Guigo’s apprentice and, later, midwife to the expectant Queen Joanna while the deadly pestilence rages through the city. As Guigo and Elea pore over medical texts and tend to patients, desperate to discover a cure, she strives to juggle her multiple responsibilities.

As with other novels where invented characters play big roles in the lives of real people, some plot elements may raise eyebrows, and Elea, while courageous and resourceful, takes some careless risks. The pacing never flags; DeLozier paints the atmosphere clearly without weighty exposition, and the novel’s historical scaffolding shines, especially the details on the two types of plague and their symptoms (as was documented by the real Chauliac, an eminent medieval surgeon).

Elea faces personal danger in the form of a fanatical priest who once targeted her late mother, raising the stakes even higher. An entertaining novel about a woman’s strength and selflessness, unfair prejudice, and the sisterly bond.

Eleanore of Avignon is published next week by Dutton; I'd reviewed it from NetGalley for the Historical Novels Review. The novel made the LibraryReads list for November (the top ten fiction and nonfiction works chosen by US public library staff), which I think is terrific.  A debut novel set in a less familiar place in medieval times, and librarians and their readers are enthusiastic about it.  So let's have more of them! There is a thread related to witchcraft, so the novel fits that historical fiction trend as well.

For their next books, three prominent historical novelists are sticking with their genre roots

Several well-known historical novelists have announced their next books in recent weeks, and I found it especially interesting to see they're returning to (or in one case, staying with) the historical era and/or theme of their most popular books.

Just after the Frankfurt Book Fair began last week, Philippa Gregory's publishing team began getting the word out about her next historical, to be called Boleyn Traitor, focusing on Jane (Parker) Boleyn, the controversial sister-in-law of Anne who was rumored to have played a role in the downfall of two of Henry VIII's queens. Gregory has written about Jane before (she was a viewpoint character in her 2006 novel The Boleyn Inheritance) but the articles about the announcement refer mainly to her The Other Boleyn Girl (2001), her first biographical novel, whose huge success prompted a Tudor renaissance, so to speak, in the genre. 

2001: such a long time ago now.  This is making me feel old.

The pub date for Boleyn Traitor (HarperCollins) is a year from now, October 2025. Will this new book be any different, or just an extended version of the same story of Jane's life previously told?  We'll have to see, but I imagine there'll be some new interpretation.  It will be the first in a three-book series. Perhaps this means, also, that her Fairmile series, about the rise of an ordinary family in the 17th century, is officially complete at three books.

Not much to see here, really; these are the publishers' placeholder
covers, not the final ones.

Another novelist with strong roots in the 16th century is staying there; Alison Weir's next book, out in May 2025, will be The Cardinal, about Cardinal Thomas Wolsey, the English statesman who became Henry VIII's chief adviser and the mentor to his successor, Thomas Cromwell.  Wolsey tumbled from power during the king's attempt to secure a divorce from Katharine of Aragon. This will be Weir's first full biographical novel about someone who isn't a member of a royal family, though he will certainly be a familiar name to readers of Tudor fiction. Nearly all of Weir's novels have been about Henry VIII and his relatives, and since I've reviewed nearly all her recent books for Booklist, I'd been curious to see whether she'd be choosing someone new from the era or moving on to something else.  The publishers are Ballantine (US/Canada) and Headline Review (UK).

Also just announced, Ken Follett's newly revealed Circle of Days takes place far back in the past, much earlier than his previous books, but like his breakout historical The Pillars of the Earth (from way back in 1989), it centers on the vision and building of a significant historical structure: Stonehenge.  Edward Rutherfurd has imagined this event in his Sarum, and Cecelia Holland in Pillar of the Sky, among others, but that won't stop me from reading Follett's version. It will be out in September 2025 from Grand Central (US/Canada) and Quercus (UK).

All three of these books will be highly promoted and will reach many readers who are already eagerly anticipating them. Will this translate into another Tudor (or even a prehistoric) fiction trend?  It's doubtful, but if you enjoy novels set in earlier time periods, you'll have these to look forward to next year.

Julia Park Tracey's Silence examines women's agency in Puritan-era Massachusetts

Steeped in the language and mores of an earlier time, Julia Park Tracey’s meditative and defiantly life-affirming novel Silence follows a young woman punished for speaking her mind during a period of immense personal trauma.

A member of a Separatist Puritan community in seaside Hingham, Massachusetts in 1722, Silence Marsh, the gentle daughter of the village weaver, enjoys a playful, loving relationship with her husband David, a local constable. Then, in rapid, tragic succession, Silence endures the losses of three adored family members, a situation that sees her returning to live with her widowed father in her childhood home. After an outburst in church when she questions a chastening sermon and the purpose of a God who would cause her such grief, authorities sentence her to a series of humiliating public acts as well as a full year of enforced silence, with threats of worse if she doesn’t obey.

Over the subsequent months, Silence – unable to communicate verbally – looks inward, noting the people who shun her and pass judgment (like the parson’s sour-tongued wife) as well as those who see her suffering and try to help. Among the latter is Daniel Greenleaf, a physician from Boston who recommends walks in the fresh air and reading novels. The secret friendship between Silence and the parson’s preteen daughter also raises both their spirits.

Silence’s first-person narrative has the cadences of early New England colonial speech without feeling overly archaic. Finely crafted details on household items, duties, and people’s roles in the community add to the historical atmosphere. (One quibble: the dour royal magistrate, a frighteningly realistic figure, should be called “Sir George,” not “Sir Fellows.”) Silence’s philosophical struggles feel true to the time: a woman discovering her voice in a society that denies its value. Even her father, while caring and sympathetic, insists that she conform, heed the authorities, and accept her penance.

But: “I know your religion’s great men call for treating the bodily humours and for obeying the will of God, but God has given us the great gift of free will to learn and grow,” Dr. Greenleaf tells her. He perceives her melancholia as an illness, not the manifestation of sin, and explains that he wants to treat her accordingly. The novel explores, with carefulness and great compassion, how Silence begins to wrap her mind around this unfamiliar concept, one completely opposite to her religious upbringing. In this, Silence embodies all women trapped in a cruel, repressive situation as she slowly gains the wisdom and courage – and burning fury – to break away from it.

In the end, as accusations of witchcraft swirl through Hingham, Silence must decide how to use her voice, or whether she should use it at all. There are no simple answers, but Silence, after the most painful year of her life, knows the importance of making her own choice.

Silence was published by Sibylline Press, a publisher focusing on works by women over 50, in September; my thanks to them for the review copy. The main character is based on the author's 7th great-grandmother.

Kimberly Brock's The Fabled Earth unfolds a multilayered mystery surrounding Georgia's Cumberland Island

In her third novel, Brock (The Lost Book of Eleanor Dare, 2022) proves marvelously adept at intertwining mythic stories with contemporary reality and showing how people reconcile the two.

In 1959, illustrator Cleo Woodbine has lived alone on a tiny isle near Georgia’s Cumberland Island ever since the terrible events of one long-ago summer. When she receives a mailed obituary for a woman she knew back then, it rocks her world and introduces her to others seeking connection, including Frances Flood, the late woman’s daughter, and young, widowed innkeeper Audrey Howell. Their viewpoints alternate alongside Cleo’s experiences in 1932, when a night of storytelling around a bonfire culminated in two young men’s drownings and the potential sighting of a river siren.

While tackling issues of race and class prejudice, Brock’s lush, multi-layered writing begs to be read slowly as she gently unfolds the mysteries of this picturesque yet haunted Southern landscape, where once-elegant Carnegie mansions still stand. An ideal choice for admirers of Delia Owens, Sarah Loudin Thomas, and Sarah Addison Allen.

The Fabled Earth is published this month by Harper Muse, and I originally wrote this review for Booklist's September 15th issue. Doesn't this novel have a gorgeous cover?  You can read more about the Carnegie mansions on Cumberland Island, and see photos of the beautiful landscape, via this blog post written by Vann Helms.

Victoria Thompson's Murder in Rose Hill delves into Gilded Age medical cures and family dynamics

Anyone conducting research in Gilded Age news archives will note the proliferation of ads for patent medicines: concoctions promoted as cure-alls for myriad ailments. The industry was notoriously unregulated, with many such products either ineffective or dangerously addictive.

Set in 1901 Manhattan, Murder in Rose Hill homes in on this interesting subject. Louisa Rodgers, secretary and would-be journalist at New Century magazine, has been found strangled in her workplace’s lobby, days after the young woman had interviewed former midwife Sarah Malloy at her charity clinic, requesting background for a planned exposé about these tonics. Frank Malloy, private investigator and ex-police detective, is hired by Louisa’s distraught father since the cops dismiss the case as a random attack.

This cozy mystery presents the investigative process as a family affair, with Sarah, Frank, their nanny/secretary Maeve, and her beau Gino hustling through the city, pursuing leads and trying to suss out who’s lying. There’s parental involvement, too, with both Mother Malloy and Sarah’s society-maven mother, Elizabeth, contributing entertainingly astute observations. Besides the intricate process of determining motive, one gripping subplot involves the Malloys’ piecing together of Louisa’s character. “What an odd family,” Frank thinks about the Rodgerses after he meets them all and sees how Louisa’s independent streak stirred up resentment. Louisa’s relatives, her boss, a coworker, and patent medicine manufacturers, among others, land on the suspect list.

Readers won’t have trouble getting oriented if they start with this 27th volume in the Gaslight Mysteries, though the constantly revolving viewpoint takes some getting used to, and Sarah flirting with her husband on the doorstep of Louisa’s funeral feels awkward. Long-time followers of the series may not mind, and the book takes a well-researched look at social and health issues from the era, specifically those affecting older women.

Murder in Rose Hill was published in late April by Berkley, and I'd reviewed it for the Historical Novels Review's August issue. I happened to be researching in old newspapers for a work project at the time I read it, which led to a nice tie-in with the novel. Sadly, Victoria Thompson passed away on August 23rd from cancer. In addition to her long-running Gaslight Mysteries (the first of which was published in 1999), she also authored the Counterfeit Lady novels featuring a female con artist in Gilded Age New York.

Historical novels are acclaimed via a number of recent literary awards

Over the past few weeks, many literary prize announcements have come to my attention via industry news sources or social media.  And historical novels have been among the winners!  Some of these awards are ones I haven't posted about before, and each has a different, frequently specialized focus.  If the scope for these awards interests you, you may find it worthwhile to visit their websites to research past winners, too. 

First, the highest-profile award among them: the Booker Prize, for the best overall English-language novel published in the UK and Ireland. Out of the six works of fiction on the shortlist, three are historical fiction, with settings ranging from a WWI-era battlefield (Anne Michaels' Held) to the southern US just before the Civil War (Percival Everett's James) to the Netherlands in the 1960s (The Safekeep by Yael van der Wouden). The winner will be announced on Nov. 12.

The longlists for the Gold Crown and Debut Crown awards from the Historical Writers' Association were announced on September 18th. The awards recognize "the best historical writing, fiction and non-fiction, published in the UK and its ability to engage, illuminate, entertain and inform legions of readers."

The HWA looks back at least 35 years in the past for its definition of what constitutes historical fiction.  I wasn't able to find the longlists on their site, but the following images were shared on social media. To be honest, I'm often more interested in seeing longlists and shortlists than the ultimate winner, because it means more books!  And I know, from being on prize committees, how challenging it can be to reach consensus among judges and choose just one.



Since the cover images are on the small side, titles and authors (plus settings) are as follows:

The Glutton, A. K. Blakemore - 18th-century France
The Fox Wife, Yangsze Choo - 1908 Manchuria
Clear, Carys Davies - 1840s Scotland
You Dreamed of Empires, Alvaro Enrigue - 16th-century Mexico
Disobedient, Elizabeth Fremantle - 17th-century Rome
Loot, Tania James - 18th-century India and Europe
The Book of Days, Francesca Kay - Tudor England
Quint, Robert Lautner - WWII-era; prequel to Jaws
Cast a Cold Eye, Robbie Morrison - 1933 Glasgow
A Woman of Pleasure, Kiyoko Murata - early 20th-century Japan
Cahokia Jazz, Francis Spufford - alternate America in 1922
Absolutely and Forever, Rose Tremain - 1950s-60s Britain

The Gold Crown is for previously published authors, while the Debut Crown is, naturally, for first novels.

Again, the details:

The Other Side of Mrs. Wood, Lucy Barker - Victorian London

The Golden Gate, Amy Chua - WWII-era California
Leeward, Katie Daysh - early 19th-century naval warfare
Colours of Siena, Judith May Evans - 14th-century Tuscany

The Maiden, Kate Foster - 17th-century Edinburgh
The Painter's Daughters, Emily Howes - 18th-century England
All Us Sinners, Katy Massey - 1977 Leeds

Our Hideous Progeny, C. E. McGill - 1850s England
The Witching Tide, Margaret Meyer - 17th-century East Anglia
The Beholders, Hester Musson - Victorian London
The Revels, Stacey Thomas - 17th-century England
The Tumbling Girl, Bridget Walsh - Victorian London

Next are the American Book Awards from the Beyond Columbus Foundation, for "outstanding literary achievement across the entire spectrum of America's diverse literary community." Among the 18 honorees announced on September 5, both nonfiction and fiction, are two historical novels: Debra Magpie Earling's The Lost Journals of Sacajewea and Chitra Banerjee Divakaruni's Independence.

The latest fiction winner of the New England Book Award (announced Sept. 12) is a novel I've reviewed here previously, North Woods by Daniel Mason. Submissions must be either about New England, set in New England, or written by an author residing in New England. 

Lastly, if you hadn't been aware there was a prize for adventure fiction... let me introduce you to the Wilbur Smith Adventure Writing Prize, named after the well-known adventure novelist who passed away in 2021.  And if you aren't sure what this genre encompasses (perhaps more than you'd think), their website will tell you.  This is an international prize for English-language fiction, and this year's winner is Francesca de Tores' Saltblood, set during the Golden Age of Piracy. Read more in an interview with the author.

The sponsor of the prize is the Wilbur and Niso Smith Foundation.

If you've come across any other relevant award notices, please leave a comment, or just reply if you're reading this through email.

The View from Behind the Camera: My Family and Old Hollywood, an essay by Ginny Kubitz Moyer

Longtime readers of this blog will know I'm drawn to historical novels inspired by family history, and along these lines, Ginny Kubitz Moyer has a really interesting story to tell.  Please read on!  Moyer's novel A Golden Life is out from She Writes Press today.

~

The View from Behind the Camera: My Family and
Old Hollywood

By Ginny Kubitz Moyer

Ask a roomful of authors where they get their story ideas, and you’ll likely hear some surprising answers. In my case, the inspiration for the Hollywood setting of my novel A Golden Life came from two unexpected sources: my younger son and my great-grandfather.

In late 2018, when my son Luke was in fourth grade, he was assigned a report highlighting an aspect of California history. He chose the history of Hollywood, so we headed to the library to do research. There, we found that the movie industry was not a popular subject for middle grade authors; children’s books on the topic were as scarce as SoCal rain in July. I told Luke I’d find some adult sources to use, and we’d go over them together.

To be honest, I embraced the task, because I’ve always loved old Hollywood. In high school, I decorated my bedroom with a poster of Casablanca and black and white photos of 1940s movie icons. I loved actors from the Golden Age of movies more than actors my own age; there was something about their class, elegance, and talent that captivated me.

On an even deeper level, I’ve always felt a personal identification with old Hollywood because of my family history. My great-grandfather, William S. Adams, was a cinematographer in the silent movie era. His career began in his native Brooklyn, but in the mid-1920s, when the movie industry started shifting from the East Coast to California, William followed it west. He later sent for his wife and two young daughters (the elder, Ruth, was my grandmother) to join him. The family put down roots in Southern California, where my great-grandmother herself later found work in the movie industry as a film cutter for Warner Brothers.

The Adams family, on location in southern California, approx. 1926.
Left to right: Ruth (my grandmother); William S. Adams;
Ruth Lillian Owen Adams; Jessamyn Adams.

William’s films were mostly adventure stories, including several “flying ace” movies with exciting aerial stunts. Some of the equipment he used can be seen in a photograph from the February 1927 issue of The Motion Picture Director of Hollywood, which features William and two fellow cinematographers posing proudly with their cameras. Overall, from 1913 to 1930 William worked on at least 34 films for directors such as Ralph Ince and James Stuart Blackton (William’s half-brother and the founder of Vitagraph Studios). One of these films apparently featured a very special bit player: my grandmother, who as an infant was pressed into service when the director needed a baby for a particular scene. Like many actors of the era, alas, her starring turn has been lost to time.

One hundred years later, it’s astonishing to me that my great-grandfather’s cinematography took him quite literally around the world, including to China and Fiji. He always brought back souvenirs, usually dolls, for my grandmother. Tragically, William’s travels led to his early death; he contracted malarial fever while on location in Borneo, and he died in Hollywood in December 1930. My grandmother, only eleven at the time, kept the dolls he gave her for the rest of her life. The history they represented was always a source of fascination to me.

During that winter of 2018-2019, as I helped Luke with his research (and told him his great-great-grandfather’s story), I gained a new feel for those heady early days of Hollywood. I gained a stronger sense of the historical arc of the motion picture industry. And the more I read, the more I wanted to explore old Hollywood, and the experiences of those who lived and worked there.

Simply put: I wanted to write a novel about it.

As a writer, I often have vague ideas for characters before any other details take shape. Prior to Luke’s project, I’d been captivated by the idea of a secretary and her boss on a road trip. I didn’t know much about either character, or why they were traveling together—but with the Hollywood history so fresh in my mind, it occurred to me that my protagonist could be a secretary in a movie studio, and her boss could be a producer. That idea had energy behind it. I was excited to explore it further.

William S. Adams, far right, with Conrad Luperti and J. Marvin Spoor.
(Wikimedia Commons)

So after Luke’s report was finished, I kept on researching. I decided to set my story in 1938, the Golden Age of Hollywood, and my deep dive into the period was utterly absorbing. I read about the powerful studio system of the time, which helped me design my fictional VistaGlen Studios from producer Lawrence Merrill’s corner office down to the backlots. I perused old movie magazines, getting a feel for the breathless publicity campaigns that propelled new actors to stardom (and which inspired the rise of my fictional ingenue Belinda Vail). And watching movies from the late 1930s immersed me in the fashion, slang, and manners of the time, a delightful kind of research that helped me bring my secretary protagonist, Frances Healey, to life.

I wish — how I wish— I could have sat down with my great-grandfather and heard his stories of the movie industry. It pains me that those experiences are not recorded for posterity. But although A Golden Life is pure fiction, I’ve tried my best to make it an accurate portrait of this unique slice of American history. I hope it faithfully captures the flavor of 1938 Hollywood, a place that was equal parts glamour and grind for secretaries and stars alike.

~

Ginny Kubitz Moyer is a California native with a love of local history. Her novel A Golden Life, which earned a starred Kirkus review, moves from 1938 Hollywood to the Napa Valley. Her novel The Seeing Garden, which won Silver in the Foreword INDIES Book of the Year Award for Historical Fiction, brings to life the vanished world of the San Francisco Bay Area's great estates. An avid weekend gardener, she lives in the San Francisco Bay Area with her husband, two sons, and one rescue dog. Learn more at ginnymoyer.org.

Instagram: @moyerginny
Facebook: Ginny Kubitz Moyer, Author

Marianne K. Miller's cinematic novel evokes a young Hemingway's pivotal time in Toronto

In her leanly written debut, Miller dramatizes the pivotal months Ernest Hemingway spent in Canada as a reporter for the Toronto Star, imagining how he develops an affinity and quiet admiration for an infamous bank robber, Norman “Red” Ryan, who’s on the lam after a daring prison break from the Kingston Pen.

In 1923, Hemingway and his wife, Hadley, relocate from Paris to Toronto to await the birth of their first child, a move that encompasses multiple regrets on his part. Feeling trapped into impending fatherhood and in a career with a controlling boss who doesn’t allow him a byline, he gets frustratingly bogged down with routine assignments and nonstop travel when he’d much rather be investigating Red’s more exciting trail and developing his own fiction-writing craft.

For his part, Red, reveling in his liberty, makes his way from the piney woods near Toronto to various points across the northern United States, holding up banks and accumulating enough wealth to fund an increasingly lavish lifestyle. The leader of his band of outlaws, Red aims to keep their goal focused while his most loyal sidekick, Arthur “Sully” Sullivan, gets distracted by pretty ladies.

Miller’s writing effectively combines the flawed heroes and unsentimental settings of hard-boiled crime fiction with an economical style that creates bold, memorable images of both men and their parallel journeys. Hemingway follows Red’s exploits from afar, researching the background to his case with a librarian’s invaluable help while growing confident in his pursuit of creative freedom whenever his path and Red’s unexpectedly cross.

With slangy dialogue and vivid scenes of the raucous 1920s that pop from the page, We Were the Bullfighters makes for a stirring portrait of a young man’s incessant hunger to fulfill his artistic vision.

Marianne K. Miller's We Were the Bullfighters was published by Dundurn Press, itself based in Toronto, this past May.  I reviewed it from NetGalley for August's Historical Novels Review. Before reading the novel's synopsis, I hadn't been aware of Hemingway's time in Canada, and the circumstances are so intriguing it's not surprising an author decided to make a novel out of it.  Miller is a Hemingway scholar to boot. Her novel should appeal to readers who enjoy hard-boiled crime, those who read literary fiction, and anyone interested in this significant period of a major American writer's life.  

A cornucopia of historical fiction reads for fall 2024, all set before the 19th century

For those seeking to spend the next few months immersed in earlier corners of the past, here are fourteen new and upcoming reads, from publishers large and small.

Alice Kyteler, a businesswoman in 13th-century Ireland with an eye-opening marital history, attracts attention of the wrong sort and is eventually accused of witchcraft. But this novel is primarily a portrait of her earlier life as an ambitious woman in a patriarchal world. Viking, Aug. 2024.

The author of Tsarina and The Tsarina's Daughter returns with the story of Gytha Godwinson, daughter of England's Harold II, whose life takes dramatic turns after her family's loss during the Battle of Hastings in 1066. Independently published, Nov. 2024. 

Berman adds to the popular theme of art-focused historical fiction with a biographical novel about Angelica Kauffman, Neoclassical artist in 18th-century Italy and London. She Writes, Oct. 2024.

Costanza Piccolomini, a young wife in 1630s Rome, becomes entranced with celebrity sculptor Gian Lorenzo Bernini, which leads to undesired fame and a terrible act.  Renegade Books, Aug. 2024.

Jeanette of Kent, English royal cousin, enters into a clandestine marriage with the knight she loves during the Hundred Years' War, but political and family pressures conspire against them. Sphere, Sept. 2024.

The orphaned Anna Maria della Pietà, the most gifted pupil of Antonio Vivaldi, stops at nothing to achieve her career goals in 18th-century Venice. Simon & Schuster US/Bloomsbury UK, Sept. 2024.

   

A gifted young healer strives to balance her competing desires after the Black Death lands in Avignon, in 14th-century Provence. Dutton, Oct 2024.

In this dual-period narrative, the author's debut, a modern college student discovers the long-lost history of a rhino named Clara who traveled Europe with her keeper in the 18th century, attracting fascinated crowds as well as danger. History Through Fiction, Oct. 2024.

Ordinary Devotion is also a multi-period novel. The story of a twelve-year-old girl walled up with an anchoress in an English abbey intertwines with a modern academic researcher, revealing themes of  faith, freedom, and women's agency over their own bodies. Monkfish, Nov. 2024.

The third in Justice's Theodosian Women series follows a young woman called Athenais, a pagan of Greek heritage, who in an unexpected twist of circumstances comes to marry Theodosius II, emperor of the Eastern Roman Empire. I enjoyed the author's Dawn Empress and look forward to this one. Raggedy Moon, Aug. 2024.

The final days of Christopher Marlowe are depicted as a thriller, as the celebrated Elizabethan-era playwright, an ex-spy with many secrets and enemies, runs up against blackmail and sinister individuals seeking to eliminate him. Pegasus, Oct. 2024.

Like Eleanore of Avignon above, Rasche's debut is set during the time of the Black Death, but in Florence, Italy, as a young woman with uncanny healing talents is called to help the populace. Park Row, Oct. 2024.

Author Tracey writes her second historical novel about one of her ancestors from colonial Massachusetts. Silence Marsh, a woman in mourning who's forced into silence for blasphemy in her Puritan community, is then asked to testify in a witchcraft trial. Sibylline, Oct. 2024.

A skilled seamstress in 16th-century Bologna who dreams of being a tailor, a trade forbidden to women, runs into numerous roadblocks. The author won the Jenny Brown Associates Debut Writers Over 50 Award in 2023. I would love to read the shortlisted entries too!  Allison & Busby, Nov. 2024.