From the moment two forbidden lovers – the prospective wife of an abusive minister and a reported troublemaker she ironically met at church – flee their repressive Puritan colony for the remote woods of western Massachusetts, the cabin they build in a mountain clearing becomes the setting for an astonishing collection of events across the centuries.
In twelve chapters that press forward in time and evoke the different seasons, Mason reveals the transformative magic inherent in an ordinary place. Humanity and nature intermix, spurring small and large changes, and the layers of the past remain with us, albeit occasionally taking surprising forms.
While the time periods aren’t formally signposted, each can be determined through the reading, and the chapters show impressive virtuosity in terms of period-suitable language, format, and characterization. In the anonymous “Nightmaids Letter,” a young wife who survives an Indian attack describes a scene of attempted vengeance and the shocking aftermath. An English veteran of the French and Indian War dedicates his life to his apple orchard; his twin daughters grow old while attempting to continue his legacy.
Deep human emotion winds through the pages: loneliness, jealousy, passion, family ties, concealed and thwarted desire, along with beautiful reflections on the natural world, from the echo of songbirds to death and decay. A painter’s ongoing letters to his writer friend are among the most poignant sections.
Over the novel’s course, it feels especially rewarding (with some great “aha” moments for the reader) to see earlier episodes reappear as historical artifacts or tales down the road. Just like in life, the process of historical discovery can be incredible or frustrating, since mysteries from the past sometimes stay that way.
The last two chapters, full of revelation, put the entire story-landscape into greater and more wondrous perspective. This wisely compassionate and refreshingly different literary epic is an excellent read.
North Woods was published by Random House in the US and Canada, and John Murray in the UK. I reviewed it for November's Historical Novels Review from a NetGalley copy. I'm already seeing this novel on many "best of" lists for 2023. The North American cover, top left, reflects one aspect of the story, but I'm not fond of it. The UK cover is somewhat better. I look forward to seeing what the paperback edition will look like.
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