Readers are spoiled for choice with new historical novels set during WWI. Most offer similar themes: navigating the era’s shifting social patterns, how its pointless loss affected generations, and how valor springs from impossible circumstances. Fortunately, each one that I’ve read offers a unique perspective. What distinguishes Mary-Rose MacColl’s international bestseller In Falling Snow are its realistic portrayal of human relationships and focus on women in medicine, in particular its inspiring depiction of the self-sacrificing wartime heroism of the women of France’s Royaumont Abbey.
The narrative has a three-part structure, with two sections flowing effortlessly into one another as Iris Crane’s mind drifts from present to past in old age. In 1914, having failed to stop her 15-year-old brother Tom from enlisting, Iris leaves Australia for Europe to bring him home to their worried father. She gets distracted from her mission after discovering her nurse’s skills are needed at Royaumont, a run-down Cistercian abbey north of Paris that’s being established as a field hospital. Working alongside its industrious chief physician Frances Ivens and hard-edged ambulance driver Violet Heron, Iris finds her calling. For her and its wounded soldiers, the capable medical sisterhood there makes Royaumont a secluded haven in the midst of horror.
Much later, in 1970s Brisbane, an invitation to a reunion reminds Iris of the leaden sense of guilt she’s carried since the war, the full reasons for which are carefully, if somewhat predictably, revealed. In a separate thread, Iris’ granddaughter Grace, an obstetrician in a nearly all-male field, struggles to reconcile her ambitions with her perfectionism and her family’s needs. Although I’m not normally drawn to modern medical dramas, I found Grace’s story gripping. The Royaumont segments are more leisurely paced, but they are immersive nonetheless. Just like Iris, I found myself drawn in and reluctant to leave.
In Falling Snow was published last August by Penguin ($16.00, trade paperback, 454pp). It's also out in the UK (by Allison & Busby), Canada (Penguin Canada), and Australia (Allen & Unwin), the author's home country. This review also appears in February's Historical Novels Review. I'm home on a snow day – the university is closed – so this was a natural choice to pick for today's review.
I imagine there is going to be so much WWI it is going to get overwhelming. Sounds good, though!
ReplyDeleteI think we'll start seeing fewer of them soon just because the market can only handle so much. I'm going to enjoy it while it lasts!
DeleteFirst time I ever saw the word "immersive."
ReplyDeleteAnd here I was worried I'd been using the word too often! Guess not :) I see it used most commonly to describe books, education, and technology.
DeleteI've noticed that some WWI fiction (incl. parallel narrative-type) "work" better than others, depending on the frame and the author's skill; I won't mention names here! Perhaps it has to do with how much the author is invested in the time period and story (e.g Justin Go and his forthcoming THE STEADY RUNNING OF THE HOUR). Hmm, I wonder who/what will be at PLA?
ReplyDeleteSarah OL
I'm eager to see the PLA schedule! (Maybe galleys of STEADY RUNNING will be there...) I've been reading many WWI-era novels lately, some for review and some just because -- and I agree.
DeleteI have this one on my shelf for review!
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