Sunday, November 18, 2018

New England Gothic: The Witch of Willow Hall

Tapping into recent interests in Gothic fiction, Fox’s uneven debut focuses on the middle daughter of a wealthy New England family who doesn’t realize she inherited a talent for witchcraft. As a child in 1812 Boston, Lydia Montrose unsuspectingly calls upon her latent powers to take revenge against a cruel neighbor boy. Nine years later, she and her family are forced to leave the city following rumors of her older sister Catherine’s shocking conduct.

They take up residence in Willow Hall, a large mansion in the distant town of New Oldbury, where her father, investor in a local mill, hopes to make a fresh start. Lydia is close to her eight-year-old sister Emeline, and while they enjoy wandering the countryside, spiteful Catherine chafes at her forced isolation. As Lydia develops an interest in John Barrett, her father’s handsome business partner, Catherine’s jealousy asserts itself while she simultaneously flirts with John’s friend. Meanwhile, supernatural happenings at Willow Hall, which only Lydia can see, hint at its tragic past.

The story’s premise – a young woman coming to terms with abilities passed down from an accused Salem witch – is a clever one. Because the scenes focusing on this aspect are particularly strong, they should have been given greater prominence over the romance and toxic family drama. Fox is particularly skilled at conveying the creepy atmosphere when the dead emerge into the world of the living.

The secondary characters, including Lydia’s mother and father, feel rather thin, and the early industrial New England setting could have been more sharply evoked through the characters’ actions and dialogue. The Montrose daughters’ attention to social proprieties comes and goes; maybe their odd conduct could be chalked up to lax parenting. Fans of historical horror may want to read the novel regardless, especially if they enjoyed Louisa Morgan’s A Secret History of Witches.

I reviewed this novel for November's Historical Novels Review. The Witch of Willow Hall was published by Graydon House in October. Judging by the Goodreads reviews, I'm in the minority with my reaction.

Monday, November 12, 2018

A septet of recent & upcoming historical novels, all with the number seven

This doesn't qualify to be a trend, but it's a curious recent phenomenon. The number seven figures prominently in classical history, mythology, and literature; it's thought of as a particularly lucky or magical number.  So perhaps it's no surprise that authors are channeling its power within their fiction.  Here are — of course — seven historical novels, all published in 2017 or after, which share this number in their titles (or series). How I came upon this interesting commonality is something you might call sevendipity. After finding the Grames novel on Edelweiss last week, its title reminded me of another, and then another... there are a few that I think readers will have trouble keeping straight!



Seven fictional tales set in the same historical worlds as Gabaldon's Outlander stories set in the 18th century and later; two are original to this book. Delacorte, 2017. [see on Goodreads]



The story of Stella Fortuna, a young woman in early 20th-century Italy who seems unusually accident-prone, and her long, complicated relationship with her sister, both in Italy and America over the next century. Ecco, forthcoming May 2019. [see on Goodreads]



A moving historical novel set aboard the Lusitania during WWI and based partly on family history. HarperCollins, 2017. [see on Goodreads]



Part of James's Desperate Duchesses series of Georgian- and Regency-set historical romances, this entry focuses on an earl's son in need of a governess for his siblings, and an aristocratic woman who runs a governess agency  Avon, 2017. [see on Goodreads]



A young woman tapped to write an aging film star's biography is drawn into her stories of the lost world of 1950s Hollywood and all of her past marriages. Atria, 2017. [see on Goodreads]



This is the fifth and latest in Riley's Seven Sisters series (the first book had the title The Seven Sisters) about a group of women, adopted by the same man as babies, who leave for adventures around the world in search of their birth heritage. Their family stories take readers back to the early 20th century. Atria, forthcoming February 2019. [see on Goodreads]



Set around a 1920s country house party, this unusual murder mystery features a protagonist who inhabits the body of different characters and is forced to relive events of the fateful day of Evelyn's death until he solves the crime.  Sourcebooks, 2018. [see on Goodreads]

Friday, November 09, 2018

Great Lakes Gothic: Wendy Webb's Daughters of the Lake

Wendy Webb’s newest Gothic novel is partly a paranormal time-slip with occasional ghosts and spooky happenings. It’s also a multi-period saga about doomed lovers and a long-unsolved mystery full of atmospheric Great Lakes folklore. If any of these elements appeal, dive right in!

Present day: the body of an auburn-haired young woman wearing a vintage nightgown is released by Lake Superior, a baby clutched in her cold arms. Kate Granger reacts badly to the discovery, since she’s been having dreams from the woman’s viewpoint. After traveling to the tourist town of Wharton, where her cousin Simon has transformed their wealthy great-grandfather’s mansion into a B&B, Kate learns the mystery has followed her there.

As Kate recovers from a broken marriage, Simon’s caring attitude helps ground her; so does Nick Adams, a handsome African-American cop. An alternating thread follows Addie Cassatt, the young woman from the lake, from her unusual birth circumstances in 1889 to her loving marriage and tragic last days. Addie’s ancestors had close ties with the lake, which somehow protected them. A similar thread of destiny links Addie to Jess Stewart, a boy who saves her life.

I rarely read novels straight through in a day, but – pardon the watery descriptions – the fluid writing swept me into its wake, keeping me reading even when thought I knew where the story led. The plot moves from present to past and back, sometimes popping unexpectedly into minor characters’ viewpoints, but the transitions are smooth.

Highlights include the realistic dialogue, warmhearted characters (especially Simon), and depictions of early 20th-century Midwestern architecture, social happenings, and attitudes. How many old mysteries arise from the fact that our 19th-century forebears were reluctant to air their personal woes? That historical sentiment rings absolutely true. The story isn’t out-and-out terrifying like Webb’s earlier Gothics, but it’s still an engrossing supernatural tale.

Daughters of the Lake was published by Lake Union on November 1; it's currently the #1 bestseller in Amazon's Gothic Fiction category. I reviewed it for November's Historical Novels Review.

Sunday, November 04, 2018

The Monastery Murders by E. M. Powell, a deadly excursion to 12th-century Yorkshire

The second outing for the talented detective team of Aelred Barling, royal clerk to Henry II, and his assistant Hugo Stanton is full of chilling atmosphere, both literal and figurative. At the request of Ranulf de Glanville, Justiciar of England in 1177 AD, both are sent north from London, a ten days’ ride in darkest winter, to the remote Cistercian house of Fairmore Abbey in Yorkshire. On Christmas Eve, the mild-mannered sacrist, Brother Cuthbert, was found murdered in a pretty horrific way.

Abbot Philip, who’d known Barling during their youthful studies in Paris, requests his help specifically. While Stanton’s an easygoing sort who enjoys ale, convivial gatherings, and women, Barling is a straitlaced fellow who prefers time at his writing desk. When it comes to their feelings about this mission, though, they’re in agreement: neither wants to go.

When they arrive at the monastery, which is nestled deep into a rocky valley, they discover the place in turmoil, although few openly admit it. Tension spills out from multiple avenues. The older monks chafe at Philip’s election to his current role, the lay brothers resent being treated like mindless workhorses, and many feel uncomfortable breaking their vows of silence to respond to outsiders’ questions. Then a second murder occurs, and another. Each is creatively gruesome.

This strongly plotted mystery is definitely not a cozy! The thawing relationship between Barling and Stanton, already begun after their joint success in The King’s Justice, helps lighten their increasingly heavy investigative burden. Barling sees it as his duty to impart periodic lessons that Stanton hates, but they acknowledge the other’s strengths and gifts. The final outcome, which arrives after a high body count, depends on their bond of mutual trust and is gratifying in that sense, and others.

The cast list isn’t solely male, and the presence of women in this highly regulated masculine environment creates disarray that’s first entertaining, and later dangerous. Hints at secrets about Barling’s past, which he’d rather not think about, contribute another intrigue-filled layer. Sometimes later volumes in a mystery series reveal the truth about earlier whodunits, but fortunately this isn't the case here.  Readers who haven’t picked up book one, which I also recommend, won't discover any clues about how that mystery was resolved.

The Monastery Murders is published by Thomas & Mercer, Amazon's crime/thriller imprint, in September.  Thanks to the author (who I'd interviewed about book one, The King's Justice) for sending me a NetGalley widget.